Robert Smith
Robert Smith was an American artist who died in 1985. When I knew him, he already was an elderly man. He lived with his teenage son in Kettering, Ohio in a French chateau-type building that seemed the height of romance to a high school kid, which was what I was when we met. Smith was
Thumbs-up: van Ruisdael; Thumbs-down: Renoir
I’ve loved art as far back as I can remember. During the summer before First Grade we moved to a farm, and while exploring the barn loft (true story), I was thrilled to discover a bunch of painting gear—half-empty paint cans, rags, and stiff brushes. I loved it! I loved the smell of turpentine! That
Hurricane Sandy
Hurricane Sandy came our way and mixed with the Nor’easter that was already pounding our shores. This video was shot as I walked across our backyard. Towards the end of the video, you can see the siding torn off a neighbor’s house. Hurricane Sandy Pounding my Backyard
In the Studio—10/28/12
The winds from a furious Nor’easter pound against the studio windows. Whitecaps crash against the shore one after the other with ceaseless regularity, their white froth nearlty reaching the studio door. They say this storm will join with hurricane Sandy in the next day or so. Inside it’s comfy-cozy. The only thing to complain of
Smooth Move—Smooth Painting Surfaces
All artists are self-taught today. It doesn’t matter if you have a masters degree or never set foot in an art school–everyone is on their own. The most important piece of painting gear my last professor had was a pair of fishing boots. His technique was to cover the studio floor with huge canvases, and pour
Cleveland Museum of Art Staff Exhibition
Ever since a significant part of the museum’s renovations was opened (as discussed in this post), it’s a hop, skip, and jump to the main galleries from the parking garage. Before the atrium was opened, visitors had to meander past a small snack counter (primarily a break area for museum staff) then navigate a bewildering maze of
Stephen Pentak at Bonfoey
The Bonfoey Gallery (1700 Euclid Ave., Cleveland, OH) is the kind of establishment I adore: it’s an art gallery in the business of showing real, contemporary artists. Places like it are rare outside New York City, and I tip my hat to them. I make a point of visiting every new show as well as
In the Studio Oct. 14 2012
Another lifelong habit I have is working on several–sometimes very many–painting simultaneously. I will put a painting aside to be taken up later any number of times. I might work on a painting a dozen times or more. The net effect, alas, is that it sometimes takes a long time to finish a painting. This
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