Grove’s heat-polymerized oil
It’s true that I’ve used the same medium for several years. That doesn’t stop me from trying new materials–far from it! My invariable practice provides a baseline to which I can compare the new materials as they come into my hands. I can quickly determine if a new varnish or whatnot makes it into my
RGH Atelier Series oil
I bought a small 4 oz-bottle of RGH’s Atelier Series of refined linseed to oil to test. According to RGH’s website, the Atelier Series is “…clarified, hand-washed, cold pressed linseed and walnut oils. No heat, chemicals, or bleaches have been used. We have used historical methods for washing these oils. … The end result are
Reusing a drawing
I started a small oil yesterday. I transferred the drawing, or cartoon, to the canvas as I had earlier to a sheet of watercolor paper. You can see from the photo that both formats are of the same size. The watercolor paper is pretty good. I might finish it with watercolors, gauche, or a mixture
Recent paint buy
I refreshed my paint stock last week. Instead of buying from Blue Ridge or RGH as I have been, I bought these oils from Blick. I like RGH but their tubes–the physical tubes–are the worst I’ve ever tried to use. As for Blue Ridge, I noticed that their flake white is less covering that Utrecht’s.
Scale again
Yesterday, I wrote about how scale affects paint handling. A figure on a 6-inch canvas is painted differently than the same figure on a 6-foot canvas. Pretty straightforward but a lot of artists get stuck in a ‘one size fits all’ approach. There’s also another way that scale determines my approach–figure scale. The main figures