Bonfoey keeps its door locked so visitors have to wait to be buzzed into the gallery. Yesterday, for the third time, I was prevented from entering the gallery because nobody buzzed me in. THIRD TIME. Were they all at lunch? Were they all at a party? My time is precious, so–needless to say–no more trips
Schoepfle Garden photo session
Last Sunday was perfect for getting outside. Windy and brisk, the sun broke through thick clouds to transform the afternoon gloom into a dazzling spectacle of light and shade–ideal for photography. I rambled around the Schoepfle Gardens with my adored Nikon D5200 taking 200 photographs. The formal gardens intertwined with unkempt wooded areas provides ample
Lake Erie boating season ends
Sadly, the boating season is over on the Great Lakes. Lake Erie won’t be frozen-over for another month but low water levels on the Vermilion River, and frequent storms ends the season except for the professional fishing boats and giant freighters. The latter will run until January. The Betty Jane was hauled out several days
In the studio Nov. 11, 2013
Here is some recent work. The Call is 36″ x 48″; the other painting is somewhat larger. I am doing a series about making The Call. The current version does not warrant another update in the series. John Fishing is almost finished. The sky portion of the right-hand horizon is still too light.
Painting: Mrs. Keeley
This model turned out to be a favorite. This is the fourth painting to come out of a session with her. The long-suffering Mrs. Keeley agreed, to her regret, to an interminable photo session one chilly spring evening. Her white sweater and hair seen against the unpainted studio wall proved fascinating. That plus her shiny-bright
In the Studio 11/3/2013
Both of these paintings were finished yesterday. The larger is portrait of my nurse, Mrs. Keeley, who administered to me when I was very sick several years ago. The smaller is another self-portrait.
Quick review: Brinsley Tyrrell at Busta Gallery
At first sight, I was underwhelmed by Brinsley Tyrrell’s show, Ohio Lands Forever, at Busta. The large-format pieces with their electric colors and ropey splatters struck me as gimmicky and shrill. Tyrrell’s enamel on steel technique threatened to skid out of control–obsession with process has shipwrecked many artists. But after a couple of processions around
Review: Truppe Fledermaus and the Carnival at the End of the World
The collaborative team of Nicholas Kahn and Richard Selesnick recently filled the Galleries at Cleveland State U. with posters, postcards, and photos from their magical world of speculative fiction and false history–Truppe Fledermaus and the Carnival at the End of the World. While Kahn and Selesnick’s magic realism reminds me of artists like Magritte, or