Turpentine diaries 8/18/18
I am keeping everything simple and direct with The Woman in the Red Pants. Overworking can be death to a painting. On the other hand, I have a horror of the blast, fire, shoot, throw,…
Category: Studio Corner
Turpentine journal 8/13/18
Here is my first session with Keep Talking. Today, I just threw paint onto the canvas without worrying overmuch about details, although I was--as always--careful to preserve the drawing. It's risky to share such raw,…
Finished? Not finished? Finished? Not finished?
Many artists have trouble determining when a painting is finished. It can be excruciatingly painful to let a painting go, especially after you worked on it for a long time. If like me, you focus…
Turpentine diaries 7/22/18
I used my homemade drying oil in recent sessions with Down on Prospect Avenue. I substitute the oil for black oil in my medium recipe. Large paintings (Down on Prospect Avenue is 44" x 60")…
Turpentine diaries 6/17/18
The thing about this Fabriano drawing pad is I can work-up drawings with pencil or pen--my two favorite materials--without mess or fuss. The really good paper I save for charcoal or pastel, but this paper…
Turpentine diaries
I got Along 4th Street on the easel yesterday and had some good sessions. I used walnut oil instead of linseed. I find myself reaching for the walnut oil instead of the linseed more often.…
Turpentine diaries 5/27/18
The Woman in Red Pants is not over-large so I finished the underpainting, shown here, in 2 sessions. The Woman in Red Pants is 36" x 48." We live in a great time when information…
Turpentine diaries 5/19/18
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44" x 60"), I use hog bristle brushes for most of the work. Today I used 5s and…