{"id":1230,"date":"2013-02-21T12:42:37","date_gmt":"2013-02-21T17:42:37","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=1230"},"modified":"2013-02-21T12:42:37","modified_gmt":"2013-02-21T17:42:37","slug":"transferring-designs-to-canvas","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/02\/transferring-designs-to-canvas\/","title":{"rendered":"Transferring Designs to Canvas"},"content":{"rendered":"<p>I routinely transfer&nbsp;designs&nbsp;as I rework subjects in various mediums. There are several standard methods for transferring designs to a target surface.<\/p>\n<p>One long-used method was to prepare a <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Cartoon#Fine_art\" target=\"_blank\" rel=\"noopener\">cartoon<\/a><\/strong> to the exact dimensions of the target wall or canvas. Once the design was fixed, it would be transferred by one of the following methods:<\/p>\n<ol>\n<li><span style=\"font-size: 13px;\">Covering the back of the cartoon with charcoal or some similar material, then tracing over the design with enough pressure to transfer the charcoal to the surface. This method treats the cartoon as a giant piece of carbon paper.<\/span><\/li>\n<li><span style=\"font-size: 13px;\">The design&rsquo;s lines would be perforated with holes, then charcoal rubbed over the lines with enough pressure to force the charcoal through the holes.<\/span><\/li>\n<\/ol>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/in-the-studio-oct-14-2012\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">In the Studio Oct. 14 2012<\/span><\/a><\/div><p>While still used for large pieces, such as murals, these methods have significant drawbacks. First, the cartoon has to be the same size as the target surface. Second, the process would (most likely) destroy the cartoon.<\/p>\n<p>Another oft-used method was to use some type of <strong>optical device<\/strong>, such as a projector or&nbsp;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Camera_obscura\" target=\"_blank\" rel=\"noopener\">camera obscura<\/a>, to project an image onto the surface. <a href=\"http:\/\/en.wikipedia.org\/wiki\/David_Hockney\" target=\"_blank\" rel=\"noopener\">David Hockney<\/a>, in his book <em><a href=\"http:\/\/www.amazon.com\/Secret-Knowledge-New-Expanded-Rediscovering\/dp\/0142005126\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1361467336&amp;sr=1-1&amp;keywords=secret+knowledge\" target=\"_blank\" rel=\"noopener\">Secret Knowledge<\/a><\/em>, demonstrated that this method was used from the early Renaissance. Projectors are now ubiquitous, of course.<\/p>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/smooth-move-smooth-painting-surfaces\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">Smooth Move&mdash;Smooth Painting Surfaces<\/span><\/a><\/div><p>Another widely used method, and the one I prefer, is to use a <strong>grid<\/strong>. The design is divided into a regular grid, which is repeated on the target, then the design is recreated on the canvas.<\/p>\n<p>The grid enables me to revisit the drawing as I enlarge it on the canvas. I value being able to rework the design as I go. For me, using a projector&nbsp;short-circuits&nbsp;this&nbsp;important&nbsp;activity.&nbsp;In the past, I sometimes used one for large oil paintings, but now I only use a projector for large watercolors. Reworking is not compatible with fussy watercolor paper.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I routinely transfer&nbsp;designs&nbsp;as I rework subjects in various mediums. There are several standard methods for transferring designs to a target surface. One long-used method was to prepare a cartoon to the exact dimensions of the target wall or canvas. Once the design was fixed, it would be transferred by one of the following methods: Covering [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[24,113,1],"tags":[],"class_list":["post-1230","post","type-post","status-publish","format-standard","hentry","category-shop_talk","category-tips_tricks","category-uncategorized"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5536,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/10\/transferring-designs-to-canvas-update\/","url_meta":{"origin":1230,"position":0},"title":"Transferring designs to canvas&#8211;update","author":"Tom Hudson","date":"October 18, 2015","format":false,"excerpt":"I've written before\u00a0about the various methods used to\u00a0transfer designs to canvas or other surfaces. There are three ways to do it: projector, grid, or\u00a0cartoon. Typically, I use\u00a0grids. Grids can handle any scale and I like working out final design elements on the canvas grid before picking up the brush. I\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/2-women-PHS.jpg?fit=600%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/2-women-PHS.jpg?fit=600%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/2-women-PHS.jpg?fit=600%2C400&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":6233,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2016\/07\/starting-a-painting\/","url_meta":{"origin":1230,"position":1},"title":"Starting a painting","author":"Tom Hudson","date":"July 10, 2016","format":false,"excerpt":"After completing the cartoon for this painting, I transferred\u00a0it to a\u00a0canvas, as you can see in the photo. \u00a0A cartoon, I remind you, is a drawing used as a template for a painting. \u00a0Cartoons are made to the exact dimension of the target surface. \u00a0Typically, they are used for large\u2026","rel":"","context":"In &quot;Drawings&quot;","block_context":{"text":"Drawings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/drawings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/07\/canv2.jpg?fit=800%2C1070&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/07\/canv2.jpg?fit=800%2C1070&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/07\/canv2.jpg?fit=800%2C1070&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/07\/canv2.jpg?fit=800%2C1070&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5300,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/08\/in-the-studio-8915\/","url_meta":{"origin":1230,"position":2},"title":"In the studio 8\/9\/15","author":"Tom Hudson","date":"August 9, 2015","format":false,"excerpt":"This is the first time I've shown Break. Break is 40\" x 50\" and I've had four painting sessions. Break is another of my Playhouse Square series. The painting in the background, Euclid Avenue II, is another painting in the series. \u00a0The painting on the right-side is Taking Note, which\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/08\/studio-2015-8-9.jpg?fit=500%2C396&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1258,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/02\/tips-for-using-a-grid\/","url_meta":{"origin":1230,"position":3},"title":"Tips for Using a Grid","author":"Tom Hudson","date":"February 21, 2013","format":false,"excerpt":"I frequently use a grid to enlarge designs for paintings. It\u2019s my preferred method for transferring designs from one medium into another (except watercolors). What do I use to create a grid? Good question. The grid should be visible enough to see\u2014doh!\u2014and not \u00a0easily rub away, but not so visible\u2026","rel":"","context":"In &quot;Shop Talk&quot;","block_context":{"text":"Shop Talk","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/shop_talk\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8257,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2019\/02\/murder-on-brushes\/","url_meta":{"origin":1230,"position":4},"title":"Murder on brushes","author":"Tom Hudson","date":"February 2, 2019","format":false,"excerpt":"The first session with my new painting, Fork, mangled a new brush. Fork is a large painting, 54\" x 66\". Because it's so large I am not transferring a cartoon to the canvas but drawing directly on the surface, as you can see in this detail. The lower third of\u2026","rel":"","context":"In &quot;Drawings&quot;","block_context":{"text":"Drawings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/drawings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/02\/blue-brush-1.jpg?fit=800%2C315&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/02\/blue-brush-1.jpg?fit=800%2C315&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/02\/blue-brush-1.jpg?fit=800%2C315&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/02\/blue-brush-1.jpg?fit=800%2C315&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6701,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/01\/drawing-transferred-for-new-painting\/","url_meta":{"origin":1230,"position":5},"title":"Drawing transferred for new painting","author":"Tom Hudson","date":"January 31, 2017","format":false,"excerpt":"I worked on the drawing\/cartoon for Down on Prospect Avenue for a week. \u00a0In the top photo, I just finished tracing the cartoon, which you can see still stapled to the canvas. \u00a0I removed the transfer paper to examine the drawing. \u00a0If I miss\u00a0something, I can cover the canvas with\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/prospect-ave.jpg?fit=800%2C597&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/prospect-ave.jpg?fit=800%2C597&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/prospect-ave.jpg?fit=800%2C597&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/prospect-ave.jpg?fit=800%2C597&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-jQ","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/1230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1230"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/1230\/revisions"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}