{"id":14087,"date":"2025-12-28T15:15:08","date_gmt":"2025-12-28T20:15:08","guid":{"rendered":"https:\/\/thomasparkerhudson.com\/wordpress\/?p=14087"},"modified":"2025-12-28T15:15:11","modified_gmt":"2025-12-28T20:15:11","slug":"healing-brush","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2025\/12\/healing-brush\/","title":{"rendered":"Healing brush"},"content":{"rendered":"<p>Painting is seeing. Seeing is memetic, as Aristotle rightly said. Memesis means imitating, like Beethoven imitating the joyful sounds of spring, like the poet imitating the emotions engendered while ambling around a Scottish glen, like the dancer imitating the idea of loneliness. While you think about imitating an emotion or an idea, I&rsquo;ll describe the other meaning that &ldquo;seeing&rdquo; has for me.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2025\/12\/heal-brush.jpg?resize=1024%2C768\" alt=\"\" class=\"wp-image-14095\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2025\/12\/heal-brush.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2025\/12\/heal-brush.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2025\/12\/heal-brush.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2025\/12\/heal-brush.jpg?resize=600%2C450&amp;ssl=1 600w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2025\/12\/heal-brush.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\"><\/figure>\n\n\n\n<p>Many artists struggle with the notorious problem of knowing when a painting is finished. (This is not the same as not knowing how to finish a painting.) For those who believe that art is entirely the spontaneous expression of inspiration, the existence of this problem might be a shock. But the vast majority of art ever made is the result of discipline and hard work over a long period&ndash;a marathon, not a sprint.<\/p>\n\n\n\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/in-the-studio-oct-14-2012\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">In the Studio Oct. 14 2012<\/span><\/a><\/div><p>I&rsquo;ve finished a painting when my eye tells me it&rsquo;s finished; when my eye sees what it needs to see. Oftentimes, what I want is irrelevant.<\/p>\n\n\n\n<p>When I&rsquo;m in sync with my eye, the painting goes well. Everything my brush touches adds substance to the painting and gladdens my eye. During these times, my brush heals the painting and imparts life to it.<\/p>\n\n\n\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/in-the-studio-102812\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">In the Studio&mdash;10\/28\/12<\/span><\/a><\/div><p>Is seeing knowing?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Painting is seeing. Seeing is memetic, as Aristotle rightly said. Memesis means imitating, like Beethoven imitating the joyful sounds of spring, like the poet imitating the emotions engendered while ambling around a Scottish glen, like the dancer imitating the idea of loneliness. While you think about imitating an emotion or an idea, I&rsquo;ll describe the [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":14104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":144,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[251,1],"tags":[],"class_list":["post-14087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aesthetics","category-uncategorized"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2025\/12\/nggallery_import\/barefoot-janey.png?fit=600%2C855&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12445,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2023\/06\/turn-toward-realism\/","url_meta":{"origin":14087,"position":0},"title":"Turn toward realism?","author":"Tom Hudson","date":"June 25, 2023","format":false,"excerpt":"Realism is becoming popular once again in painting studios. This development is welcome but it's also sobering. Looking at the growing number of realists demonstrates how much has been lost. Much of it is Impressionism-adjacent which is not a good path. And for many new realists, Sargent has an oversize\u2026","rel":"","context":"In &quot;aesthetics&quot;","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4215,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/10\/review-the-tempest-by-bob-dylan\/","url_meta":{"origin":14087,"position":1},"title":"Review: The Tempest by Bob Dylan","author":"Tom Hudson","date":"October 8, 2014","format":false,"excerpt":"I listen to Bob Dylan's music. I'm interested in his\u00a0music, but I am not a fan of the man. I don't believe much of what is written about him, nor do I believe much of what he says about himself. \u00a0I've never attended a\u00a0performance during his endless-seeming tours. I didn't\u00a0always\u2026","rel":"","context":"In &quot;Bio&quot;","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/10\/dylan.jpg?fit=400%2C267&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10090,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2022\/03\/blind\/","url_meta":{"origin":14087,"position":2},"title":"Blind?","author":"Tom Hudson","date":"March 8, 2022","format":false,"excerpt":"A reader, responding to a recent post, asked if my recurring problem with 'seeing' is physical. I do wear glasses these days but no. The seeing I'm describing is seeing with judgment. This is aesthetic judgment that engages beauty.\u00a0 Unfortunately, when most people hear the word \"beauty,\" they think of\u2026","rel":"","context":"In &quot;aesthetics&quot;","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/03\/hunters2.jpg?fit=800%2C569&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/03\/hunters2.jpg?fit=800%2C569&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/03\/hunters2.jpg?fit=800%2C569&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/03\/hunters2.jpg?fit=800%2C569&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3200,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/03\/return-of-an-old-friend\/","url_meta":{"origin":14087,"position":3},"title":"Return of an Old Friend","author":"Tom Hudson","date":"March 14, 2014","format":false,"excerpt":"After a long and (for me) painful absence for conservation, Andrea del Sarto's\u00a0The Sacrifice of Isaac\u00a0is once again on display at the Cleveland Museum of Art. del Sarto's unfinished masterpiece from 1527 is on a massive wooden panel. The painting's unfinished state opens a window into the artist's studio, and\u2026","rel":"","context":"In &quot;Art Museums&quot;","block_context":{"text":"Art Museums","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-museum\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/sarto-issac.jpg?fit=444%2C570&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11191,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2022\/09\/new-youtube-video-about-jan-van-goyen-and-dutch-golden-age\/","url_meta":{"origin":14087,"position":4},"title":"New YouTube video about Jan van Goyen and the Dutch Golden Age","author":"Tom Hudson","date":"September 17, 2022","format":false,"excerpt":"I published a new video on YouTube about the artist Jan van Goyen. As I've done with other videos, I used a painting in Cleveland's Museum of Art as the starting point. In the video, I analyze van Goyen's View of Emmerich in the Cleveland Museum of Art, and discuss\u2026","rel":"","context":"In &quot;Art history&quot;","block_context":{"text":"Art history","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/09\/goyen-cleve.jpg?fit=1200%2C809&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/09\/goyen-cleve.jpg?fit=1200%2C809&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/09\/goyen-cleve.jpg?fit=1200%2C809&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/09\/goyen-cleve.jpg?fit=1200%2C809&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/09\/goyen-cleve.jpg?fit=1200%2C809&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9005,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2020\/09\/in-the-kitchen\/","url_meta":{"origin":14087,"position":5},"title":"In the kitchen","author":"Tom Hudson","date":"September 27, 2020","format":false,"excerpt":"For the most part, I've stopped showing the early stages of my paintings. One thing that I've learned after running this site for 8 years is that readers assume that I only post finished work--the opposite of what I actually do. But one of the reasons for this blog is\u2026","rel":"","context":"In &quot;aesthetics&quot;","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/09\/studio-2020-9.jpg?fit=800%2C595&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/09\/studio-2020-9.jpg?fit=800%2C595&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/09\/studio-2020-9.jpg?fit=800%2C595&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/09\/studio-2020-9.jpg?fit=800%2C595&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-3Fd","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/14087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=14087"}],"version-history":[{"count":11,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/14087\/revisions"}],"predecessor-version":[{"id":14105,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/14087\/revisions\/14105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/14104"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=14087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=14087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=14087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}