{"id":2798,"date":"2013-12-01T16:44:30","date_gmt":"2013-12-01T21:44:30","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=2798"},"modified":"2013-12-01T16:46:11","modified_gmt":"2013-12-01T21:46:11","slug":"in-the-studio-12-1-2013","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/12\/in-the-studio-12-1-2013\/","title":{"rendered":"In the studio 12-1-2013"},"content":{"rendered":"<p>I spent the last week doing nothing but drawing. Here is &lsquo;Main Street # 2.&rsquo; I finished the drawing and covered it with a rag-applied ground. The varnish-based ground is intended to seal the surface rather than provide a neutral tone, which is why it&rsquo;s light.<\/p>\n<figure id=\"attachment_2799\" aria-describedby=\"caption-attachment-2799\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.thomasparkerhudson.com\/wordpress\/2013\/12\/in-the-studio-12-1-2013\/studio-12-1-2013\/\" rel=\"attachment wp-att-2799\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2799\" alt=\"Main Street #2 on the easel\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/12\/studio-12-1-2013.png?resize=600%2C400\" width=\"600\" height=\"400\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/12\/studio-12-1-2013.png?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/12\/studio-12-1-2013.png?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/12\/studio-12-1-2013.png?resize=100%2C66&amp;ssl=1 100w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\"><\/a><figcaption id=\"caption-attachment-2799\" class=\"wp-caption-text\">Main Street #2 on the easel<\/figcaption><\/figure>\n<p>When I prepare a canvas, I draw the deign with pencil then go over it with ink to fix it. By &lsquo;fix&rsquo; I mean preserve the drawing, not correct it. The ink preserves the drawing when the ground is applied, otherwise the turpentine in the ground would obliterate it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I spent the last week doing nothing but drawing. Here is &lsquo;Main Street # 2.&rsquo; I finished the drawing and covered it with a rag-applied ground. The varnish-based ground is intended to seal the surface rather than provide a neutral tone, which is why it&rsquo;s light. When I prepare a canvas, I draw the deign [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":2799,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,19],"tags":[20,56],"class_list":["post-2798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paintings","category-studio","tag-easel","tag-unfinished-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/12\/studio-12-1-2013.png?fit=600%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2569,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/09\/in-the-studio-9222013\/","url_meta":{"origin":2798,"position":0},"title":"In the Studio 9\/22\/2013","author":"Tom Hudson","date":"September 23, 2013","format":false,"excerpt":"More recent work. The church is from a drawing I made in Colorado. I am using a mastic-based medium in this painting. In the past I used a jelly-type medium (Maroger), but stopped long ago. This medium isn't jelly-like in the least even though it uses mastic. It's an OK\u2026","rel":"","context":"In &quot;Bio&quot;","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"On the easel 9\/22\/2013","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/09\/studio-9-22-13.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3597,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/05\/in-the-studio-542014\/","url_meta":{"origin":2798,"position":1},"title":"In the studio 5\/4\/2014","author":"Tom Hudson","date":"May 4, 2014","format":false,"excerpt":"Here is another painting from the cycle of large paintings ( this one is 42\" x 56\") that I am doing. The drawing was finished yesterday and it took yesterday and today to finish the initial under-painting. Following my usual practice, the detailed drawing--pencil over a raw umber ground--took several\u2026","rel":"","context":"In &quot;Bio&quot;","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/05\/studio-2014-5-4.jpg?fit=444%2C358&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1974,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/05\/study-making-the-painting-the-call\/","url_meta":{"origin":2798,"position":2},"title":"Study: Making the Painting &#8216;The Call&#8217;","author":"Tom Hudson","date":"May 27, 2013","format":false,"excerpt":"I thought it would be interesting to follow a painting from start to finish. The subject is a woman making a call on her cell phone, hence the title--The Call. 1. Mechanics The 36\" x 48\" painting is on cotton canvas. I primed it (I nearly always prime my own\u2026","rel":"","context":"In &quot;Bio&quot;","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"The Call Drawing Finished","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/05\/call-drawing.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4756,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-22215\/","url_meta":{"origin":2798,"position":3},"title":"In the studio 2\/22\/15","author":"Tom Hudson","date":"February 22, 2015","format":false,"excerpt":"This 30\" x 40\" oil was almost among the unfinished paintings recently purged. Instead, things started clicking during yesterday's session. I will finish it. The canvas is from a batch of canvases I prepared a year or so ago. All were finished the same way and were the say size--30\"\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-22.jpg?fit=444%2C648&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5596,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/11\/in-the-studio-11115\/","url_meta":{"origin":2798,"position":4},"title":"In the studio 11\/1\/15","author":"Tom Hudson","date":"November 1, 2015","format":false,"excerpt":"The ground on this painting, Three Women (VW Bug), is wonderful. It's a traditional oil ground applied\u00a0over acrylic gesso. A\u00a0traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes the ground more covering and absorbent than oil paint alone, even when sanded. It's really\u2026","rel":"","context":"In &quot;aesthetics&quot;","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?fit=600%2C740&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?fit=600%2C740&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?fit=600%2C740&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":4945,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/03\/in-the-studio-32915\/","url_meta":{"origin":2798,"position":5},"title":"In the studio 3\/29\/15","author":"Tom Hudson","date":"March 29, 2015","format":false,"excerpt":"The under-painting for\u00a0Woman in Purple Boots is finished. This means that everything has a layer of paint--darks, lights, and local colors. The last time I showed this in a 'Studio Corner' post it was still pretty raw. Woman in Purple Boots is an example of how I prefer to prepare\u2026","rel":"","context":"In &quot;Paintings&quot;","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/03\/studio-2015-3-29.jpg?fit=500%2C343&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-J8","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/2798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=2798"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/2798\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/2799"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=2798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=2798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=2798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}