{"id":3200,"date":"2014-03-14T16:40:37","date_gmt":"2014-03-14T20:40:37","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=3200"},"modified":"2014-03-14T16:40:37","modified_gmt":"2014-03-14T20:40:37","slug":"return-of-an-old-friend","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/03\/return-of-an-old-friend\/","title":{"rendered":"Return of an Old Friend"},"content":{"rendered":"<p>After a long and (for me) painful absence for conservation, Andrea del Sarto&rsquo;s&nbsp;<em>The Sacrifice of Isaac<\/em>&nbsp;is once again on display at the Cleveland Museum of Art.<\/p>\n<figure id=\"attachment_3202\" aria-describedby=\"caption-attachment-3202\" style=\"width: 444px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.thomasparkerhudson.com\/wordpress\/2014\/03\/return-of-an-old-friend\/sarto-issac\/\" rel=\"attachment wp-att-3202\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3202\" alt=\"The Sacrifice of Isaac, by Andrea del Sarto\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/sarto-issac.jpg?resize=444%2C570\" width=\"444\" height=\"570\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/sarto-issac.jpg?w=444&amp;ssl=1 444w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/sarto-issac.jpg?resize=233%2C300&amp;ssl=1 233w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/sarto-issac.jpg?resize=260%2C333&amp;ssl=1 260w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/sarto-issac.jpg?resize=160%2C205&amp;ssl=1 160w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\"><\/a><figcaption id=\"caption-attachment-3202\" class=\"wp-caption-text\">The Sacrifice of Isaac, by Andrea del Sarto<\/figcaption><\/figure>\n<p>del Sarto&rsquo;s unfinished masterpiece from 1527 is on a massive wooden panel. The painting&rsquo;s unfinished state opens a window into the artist&rsquo;s studio, and shows us his working method.&nbsp;The under-painting is done and the pencil design can be seen through the beginnings of the over painting. &nbsp;The artist&rsquo;s changes, such as the position of the angel, are readily apparent.<\/p>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/cleveland-museum-of-art\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">Cleveland Museum of Art Opens Renovations<\/span><\/a><\/div><p>I love the drama of the painting and the artist&rsquo;s ease with which he makes changes to the carefully crafted design. This painting fascinates me and I always make it the last painting I visit when at the museum. Seeing it once again in its old spot made my day.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a long and (for me) painful absence for conservation, Andrea del Sarto&rsquo;s&nbsp;The Sacrifice of Isaac&nbsp;is once again on display at the Cleveland Museum of Art. del Sarto&rsquo;s unfinished masterpiece from 1527 is on a massive wooden panel. The painting&rsquo;s unfinished state opens a window into the artist&rsquo;s studio, and shows us his working method.&nbsp;The [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":3202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17,5,10,6,1],"tags":[59,181],"class_list":["post-3200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-museum","category-artists","category-cleveland","category-paintings","category-uncategorized","tag-cleveland-museum-of-art","tag-favorite-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/sarto-issac.jpg?fit=444%2C570&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2161,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/06\/why-do-you-visit-the-museum-so-often\/","url_meta":{"origin":3200,"position":0},"title":"&#8220;Why?&#8221; (do you visit the museum so often)","author":"Tom Hudson","date":"June 28, 2013","format":false,"excerpt":"A professional from\u00a0Guadalajara visiting Cleveland for the first time was enthusing about the city's many attractions, especially the art museum. \"It's magnificent--world class,\" she exclaimed! \"The Rubens, the Velasquez, the Goya...,\"\u00a0 she rattled-off several more masterpieces she'd seen. \"I know,\" I nodded, \"I visit the museum every week.\" \"Every week?\u2026","rel":"","context":"In &quot;Art Museums&quot;","block_context":{"text":"Art Museums","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-museum\/"},"img":{"alt_text":"poussin","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/06\/poussin.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5032,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/04\/in-the-studio-42515\/","url_meta":{"origin":3200,"position":1},"title":"In the studio 4\/25\/15","author":"Tom Hudson","date":"April 25, 2015","format":false,"excerpt":"This is a pretty good photo of the unfinished Heated Discussion. It's at the 'get it finished any day now' stage. I enjoy working on details but sometimes I give them\u00a0too much attention. The stuff in the background is too strong--too busy. Secondary motifs can be jarring when they spill\u2026","rel":"","context":"In &quot;aesthetics&quot;","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/04\/studio_2015_4_25.jpg?fit=500%2C548&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1318,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/02\/lawrences-annoying-paintings-at-the-cleveland-museum-of-art\/","url_meta":{"origin":3200,"position":2},"title":"Lawrence&#8217;s Annoying Paintings at the Cleveland Museum of Art","author":"Tom Hudson","date":"February 27, 2013","format":false,"excerpt":"I have nothing against Thomas Lawrence, indeed, I like his work, but\u2014good grief!\u2014he could make some annoying paintings. The Cleveland Museum of Art has two of the offending paintings hanging side-by-side. Lawrence (died 1830) had well-earned success throughout his life. A prodigy, he found success early and later became President\u2026","rel":"","context":"In &quot;Art Museums&quot;","block_context":{"text":"Art Museums","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-museum\/"},"img":{"alt_text":"Portrait of Catherine Grey, Lady Manners by Lawrence","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/02\/lawrence.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4693,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/ladies-celebrating-diwali\/","url_meta":{"origin":3200,"position":3},"title":"Ladies Celebrating Diwali","author":"Tom Hudson","date":"February 17, 2015","format":false,"excerpt":"What are they doing? What's happening in this dark and mysterious scene? The full moon broods over several women holding lights\u00a0or sparklers over their heads,\u00a0much as revelers in the U.S. do on the 4th of July.\u00a0In the distance, jets of fireworks illuminate the night sky.\u00a0In the middle distance,\u00a0pleasure seekers watch\u2026","rel":"","context":"In &quot;Art Museums&quot;","block_context":{"text":"Art Museums","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-museum\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/Diwali.jpg?fit=500%2C409&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4114,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/09\/one-hundred-birds\/","url_meta":{"origin":3200,"position":4},"title":"One Hundred Birds","author":"Tom Hudson","date":"September 21, 2014","format":false,"excerpt":"For those who love\u00a0Asian art, as I do, the Cleveland Museum of Art is an oasis. \u00a0Cleveland has one of the best Asian collections in N. America, and now, since earlier this year, it's housed in a new wing dedicated to the collection. Each time I visit the collection, I'm\u00a0entranced.\u2026","rel":"","context":"In &quot;Art Museums&quot;","block_context":{"text":"Art Museums","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-museum\/"},"img":{"alt_text":"One Hundred Birds by unknown Korean artist","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/09\/100-birds.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1085,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/02\/thumbs-up-neel-thumbs-up-also-pearlstein\/","url_meta":{"origin":3200,"position":5},"title":"Thumbs-up: Neel, Thumbs-up (also): Pearlstein","author":"Tom Hudson","date":"February 22, 2013","format":false,"excerpt":"By happenstance or cunning plan, The Cleveland Museum of Art has two large paintings hanging next to each other by artists of whom I am fond-- Alice Neel and Philip Pearlstein. Juxtaposed this way, the relative merits of each can be studied. Except for a long detour in the Picasso\u2026","rel":"","context":"In &quot;Art Museums&quot;","block_context":{"text":"Art Museums","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-museum\/"},"img":{"alt_text":"Alice Neel's Jackie Curtis and Rita Redd","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/02\/neel.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/02\/neel.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/02\/neel.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-PC","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/3200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3200"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/3200\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/3202"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=3200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=3200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}