{"id":3685,"date":"2014-06-05T09:42:36","date_gmt":"2014-06-05T13:42:36","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=3685"},"modified":"2014-06-05T09:42:37","modified_gmt":"2014-06-05T13:42:37","slug":"correcting-painting-surfaces-that-are-too-slick","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/06\/correcting-painting-surfaces-that-are-too-slick\/","title":{"rendered":"Correcting painting surfaces that are too slick"},"content":{"rendered":"<p>You know when your paint surface gets too slick and oil starts to bead? There are several remedies. Rubbing an onion over the surface works but has issues&ndash;obviously. A better method is to use denatured alcohol. A light application over the surface cures this problem instantly. Make sure to not overdo it. Too much alcohol might affect the paint layer.<\/p>\n<p>Alcohol works but I&nbsp;normally use an alcohol-based varnish or shellac instead. These varnishes are perfect for preventing sinking-in. By the time the surface beads, new layers also tend to sink. So these varnishes address both problems. And because of the alcohol, they dry immediately. Of course, one wouldn&rsquo;t use these varnishes as a final varnish.<\/p>\n<figure id=\"attachment_3221\" aria-describedby=\"caption-attachment-3221\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.thomasparkerhudson.com\/wordpress\/2014\/06\/correcting-painting-surfaces-that-are-too-slick\/pal-table1\/\" rel=\"attachment wp-att-3221\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3221\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/pal-table1.jpg?resize=400%2C316\" alt=\"Palette table\" width=\"400\" height=\"316\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/pal-table1.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/pal-table1.jpg?resize=300%2C237&amp;ssl=1 300w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/pal-table1.jpg?resize=260%2C205&amp;ssl=1 260w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/pal-table1.jpg?resize=160%2C126&amp;ssl=1 160w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\"><\/a><figcaption id=\"caption-attachment-3221\" class=\"wp-caption-text\">Palette table<\/figcaption><\/figure>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/in-the-studio-oct-14-2012\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">In the Studio Oct. 14 2012<\/span><\/a><\/div><p><a href=\"http:\/\/www.naturalpigments.com\/catalogsearch\/result\/?q=isolating+varnish\" target=\"_blank\" rel=\"noopener\">Natural Pigments sells some alcohol-based varnishes<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You know when your paint surface gets too slick and oil starts to bead? There are several remedies. Rubbing an onion over the surface works but has issues&ndash;obviously. A better method is to use denatured alcohol. A light application over the surface cures this problem instantly. Make sure to not overdo it. Too much alcohol [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":3220,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[195,99,50,271,194],"class_list":["post-3685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-denatured-alcohol","tag-oil-paint","tag-painting-material","tag-studio","tag-varnish"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/03\/pal-table2.jpg?fit=400%2C305&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5640,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/12\/about-mastic-based-mediums\/","url_meta":{"origin":3685,"position":0},"title":"About mastic-based mediums","author":"Tom Hudson","date":"December 7, 2015","format":false,"excerpt":"Recently, I wrote about my experience with maroger--a mastic-based medium. Maroger was my standard medium for a period, although I haven't used it in a number of years. I stopped using it because details are difficult and, because it is such a soft resin, paintings are prone to scratch or\u2026","rel":"","context":"In &quot;Bio&quot;","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?fit=600%2C434&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?fit=600%2C434&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?fit=600%2C434&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":4945,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/03\/in-the-studio-32915\/","url_meta":{"origin":3685,"position":1},"title":"In the studio 3\/29\/15","author":"Tom Hudson","date":"March 29, 2015","format":false,"excerpt":"The under-painting for\u00a0Woman in Purple Boots is finished. This means that everything has a layer of paint--darks, lights, and local colors. The last time I showed this in a 'Studio Corner' post it was still pretty raw. Woman in Purple Boots is an example of how I prefer to prepare\u2026","rel":"","context":"In &quot;Paintings&quot;","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/03\/studio-2015-3-29.jpg?fit=500%2C343&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8779,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2020\/04\/retouch-varnish\/","url_meta":{"origin":3685,"position":2},"title":"Retouch varnish","author":"Tom Hudson","date":"April 26, 2020","format":false,"excerpt":"When you work on an oil painting over an extended period, colors sometimes become dull. The upper paint layers merge with an earlier layers. This process is called sinking in. If the problem isn't corrected, it gets worse as the painting progresses. A final varnish can mitigate the bad effects\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/04\/red-varnish.png?fit=800%2C1198&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/04\/red-varnish.png?fit=800%2C1198&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/04\/red-varnish.png?fit=800%2C1198&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/04\/red-varnish.png?fit=800%2C1198&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7662,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2018\/02\/review-groves-coles-copal-varnish\/","url_meta":{"origin":3685,"position":3},"title":"Review: Groves&#8217; Cole&#8217;s Copal Varnish","author":"Tom Hudson","date":"February 25, 2018","format":false,"excerpt":"My painting medium consists of oil, essential oil (turpentine), copal varnish, and driers.\u00a0 I like my medium, and it's suitable for everything painting-wise except a few corner cases.\u00a0 For the corner cases, I add a small amount of this or that, depending on the case.\u00a0 I like my medium, and\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/02\/gorves-coles.png?fit=800%2C569&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/02\/gorves-coles.png?fit=800%2C569&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/02\/gorves-coles.png?fit=800%2C569&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/02\/gorves-coles.png?fit=800%2C569&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7107,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/06\/studio-journal-61117\/","url_meta":{"origin":3685,"position":4},"title":"Studio journal 6\/11\/17","author":"Tom Hudson","date":"June 11, 2017","format":false,"excerpt":"Good day after a bad day. I was so excited to get into the studio yesterday, I was mixing my medium at 5:30 AM. I make my medium fresh every day. \u00a0It's very drying and if I prepare it beforehand, it's too firm. But I do prepare one of the\u2026","rel":"","context":"In &quot;anecdotes&quot;","block_context":{"text":"anecdotes","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/anecdotes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-11.jpg?fit=800%2C529&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-11.jpg?fit=800%2C529&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-11.jpg?fit=800%2C529&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-11.jpg?fit=800%2C529&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7011,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/04\/studio-journal-4917\/","url_meta":{"origin":3685,"position":5},"title":"Studio journal 4\/9\/17","author":"Tom Hudson","date":"April 9, 2017","format":false,"excerpt":"The Press, the middle painting, is giving me trouble--the ground is, I mean. \u00a0It's lifeless. \u00a0It's one of two things, so I'll soon know the cause. \u00a0It's not too bad but it's frustrating because things go so some much more smoothly when the ground is well behaved. \u00a0 \u00a0\u00a0 The\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-9.jpg?fit=800%2C437&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-9.jpg?fit=800%2C437&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-9.jpg?fit=800%2C437&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-9.jpg?fit=800%2C437&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-Xr","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/3685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3685"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/3685\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/3220"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=3685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=3685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}