{"id":4436,"date":"2014-12-07T12:23:03","date_gmt":"2014-12-07T17:23:03","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=4436"},"modified":"2014-12-07T12:23:03","modified_gmt":"2014-12-07T17:23:03","slug":"in-the-studio-12714","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/12\/in-the-studio-12714\/","title":{"rendered":"In the studio 12\/7\/14"},"content":{"rendered":"

My homemade palette is prominent in this photo. I painted the cardboard back of a cheap, framed print a neutral brown. The glass is very easy to clean, and the size is just right. The palette has my usual assortment of colors and pre-mixed tones. The cart (one of two I have) that the palette sits on holds tubes of reds, earths, and whites.<\/p>\n

\"In<\/a>
In the studio, Dec. 7<\/figcaption><\/figure>\n

The painting, Man and Woman in a Room<\/em>, is at the over-painting stage–the under-painting is done and dry.The drawing on the back wall in the painting is something I made up–a glorified doodle. I am a champeen<\/em> doodler.<\/p>\n","protected":false},"excerpt":{"rendered":"

My homemade palette is prominent in this photo. I painted the cardboard back of a cheap, framed print a neutral brown. The glass is very easy to clean, and the size is just right. The palette has my usual assortment of colors and pre-mixed tones. The cart (one of two I have) that the palette […]<\/p>\n","protected":false},"author":61,"featured_media":4435,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,24,19],"tags":[20,271,56],"class_list":["post-4436","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paintings","category-shop_talk","category-studio","tag-easel","tag-studio","tag-unfinished-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2014\/12\/studio-2014-12-7.jpg?fit=466%2C699&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4702,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-21515\/","url_meta":{"origin":4436,"position":0},"title":"In the studio 2\/15\/15","author":"Tom Hudson","date":"February 15, 2015","format":false,"excerpt":"After a marathon 13-hour session with The Picnic, I think I've wrestled it to the ground. The Picnic has fought me since day one.. First, the canvas, from a sub-par batch of cotton duck, wants to sag against the cross bar. Worse is the lousy ground. I'm always looking for\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-15a.jpg?fit=488%2C385&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6668,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/01\/studio-journal-11816\/","url_meta":{"origin":4436,"position":1},"title":"Studio journal 1\/18\/16","author":"Tom Hudson","date":"January 19, 2017","format":false,"excerpt":"Sub Rosa, the unfinished painting on the easel, is moving along. \u00a0The underpainting is nearly done. \u00a0The white-seeming ground visible throughout\u00a0the painting is actually a middle-ish gray tone. \u00a0Compare it with your eyes to the dab of white in the middle of the palette. Sub Rosa is based on photos\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/studio-2017-1-15.jpg?fit=800%2C613&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/studio-2017-1-15.jpg?fit=800%2C613&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/studio-2017-1-15.jpg?fit=800%2C613&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/01\/studio-2017-1-15.jpg?fit=800%2C613&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6350,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2016\/08\/in-the-studio-82816\/","url_meta":{"origin":4436,"position":2},"title":"In the studio 8\/28\/16","author":"Tom Hudson","date":"August 28, 2016","format":false,"excerpt":"This painting is still raggedy; \u00a0some parts, such as the hair, are barely started. \u00a0The thing I'm not happy with is the title: Phone Call on Main Street. \u00a0It's not so much a title as a description. I don't like the raised edges that can occur where two carefully-painted areas\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/08\/studio-2016-8-28.jpg?fit=800%2C970&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/08\/studio-2016-8-28.jpg?fit=800%2C970&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/08\/studio-2016-8-28.jpg?fit=800%2C970&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/08\/studio-2016-8-28.jpg?fit=800%2C970&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7125,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/06\/studio-journal-61817\/","url_meta":{"origin":4436,"position":3},"title":"Studio journal 6\/18\/17","author":"Tom Hudson","date":"June 18, 2017","format":false,"excerpt":"I used RGH's extra-fine flake white and viridian green in today's sessions. \u00a0RGH sells both paints in jars, which I don't like. \u00a0But both jars have remained fresh. I've\u00a0had the viridian for some time and it's still fresh. The pile of paint on the paper palette is a mixture of\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6834,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/03\/studio-journal-31217\/","url_meta":{"origin":4436,"position":4},"title":"Studio journal 3\/12\/17","author":"Tom Hudson","date":"March 12, 2017","format":false,"excerpt":"I worked most of the day on The Candidate, the painting in the upper-center in this batch of current work. \u00a0The underpainting is done. \u00a0I'll say it's done. \u00a0I don't like the ground on this canvas. \u00a0It is another of my experiments with materials that has proved unsatisfactory, but it\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/03\/studio-2017-3-12.png?fit=800%2C584&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/03\/studio-2017-3-12.png?fit=800%2C584&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/03\/studio-2017-3-12.png?fit=800%2C584&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/03\/studio-2017-3-12.png?fit=800%2C584&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5062,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/05\/in-the-studio-5315\/","url_meta":{"origin":4436,"position":5},"title":"In the studio 5\/3\/15","author":"Tom Hudson","date":"May 3, 2015","format":false,"excerpt":"I build paintings slowly. I spend a considerable amount of time on the drawing before touching a brush. Once painting starts, I try to work as efficiently as possible. It doesn't always work out--so much can go awry. But the point of so much preparation is go get a painting\u2026","rel":"","context":"In "Bio"","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/05\/studio-2015-5-2.jpg?fit=500%2C365&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-19y","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/4436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=4436"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/4436\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/4435"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=4436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=4436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=4436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}