{"id":4702,"date":"2015-02-15T13:32:40","date_gmt":"2015-02-15T18:32:40","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=4702"},"modified":"2015-02-15T13:32:41","modified_gmt":"2015-02-15T18:32:41","slug":"in-the-studio-21515","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-21515\/","title":{"rendered":"In the studio 2\/15\/15"},"content":{"rendered":"

After a marathon 13-hour session with The Picnic<\/em>, I think I’ve wrestled it to the ground. The Picnic<\/em> has fought me since day one.. First, the canvas, from a sub-par batch of cotton duck, wants to sag against the cross bar. Worse is the lousy ground. I’m always looking for efficiencies and this time it backfired. After preparing the ground in my usual way (several coats of GAC 100 followed by 3 coats of acrylic gesso [all sanded]), I tried something different. Instead of a final coat of oil-ground, I applied a coat of warm acrylic paint. The resulting surface is awful: it lacks tooth yet drags the paint–yeech.<\/p>\n

Now, after many paint applications, the surface is nearing something half-way usable. The only part still needing painters first aid is the central figure along the bottom edge. After that, the under painting will be done. The shortcut doubled the time it normally takes to finish an under painting.<\/p>\n

\"The<\/a>
The unfinished painting titled ‘The Picnic’ on the easel<\/figcaption><\/figure>\n
Read more<\/span>Cleveland Museum of Art Opens Renovations<\/span><\/a><\/div>

In the photograph’s lower-right you can see my homemade palette. The palette has the usual mix of colors and premixed tones I use.This glass palette is very easy to clean. I scrap up the dead colors with a razor blade, which would kill a traditional wooden palette. When I’m not painting, I store the palette in a covered butcher’s tray. This preserves the colors and extends their life. When a color dries, I simply scrap it away and replace it; I don’t have to clean all the colors at once. This morning, for example, the reds and blues on the palette were still fresh although everything else was sticky and dry and needed to be replaced.<\/p>\n

The paint cups by the palette hold turpentine and my medium. I mix the medium fresh every day. I use driers in the medium and if I store the medium, it becomes progressively thicker, which I don’t like. I like my medium to flow; so I avoid thick or sticky mediums.<\/p>\n

Read more<\/span>In the Studio Oct. 14 2012<\/span><\/a><\/div>

 <\/p>\n","protected":false},"excerpt":{"rendered":"

After a marathon 13-hour session with The Picnic, I think I’ve wrestled it to the ground. The Picnic has fought me since day one.. First, the canvas, from a sub-par batch of cotton duck, wants to sag against the cross bar. Worse is the lousy ground. I’m always looking for efficiencies and this time it […]<\/p>\n","protected":false},"author":61,"featured_media":4700,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[208,6,24,19],"tags":[20,234,271,56],"class_list":["post-4702","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-materials","category-paintings","category-shop_talk","category-studio","tag-easel","tag-oil-painting","tag-studio","tag-unfinished-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-15a.jpg?fit=488%2C385&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4674,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-2815\/","url_meta":{"origin":4702,"position":0},"title":"In the studio 2\/8\/15","author":"Tom Hudson","date":"February 8, 2015","format":false,"excerpt":"I worked on these paintings this morning. I painted-out some foliage in the upper-right\u00a0of Three Girls.\u00a0The tone in the photo of that area is more yellow--by far--than the actual tone. The under-painting is done (has been for a bit) and I'm driving toward finishing it. It's a lot of fun\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-8.jpg?fit=444%2C613&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7857,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2018\/04\/preparing-a-canvas-surface-for-oil-painting\/","url_meta":{"origin":4702,"position":1},"title":"Preparing a canvas surface for oil painting","author":"Tom Hudson","date":"April 23, 2018","format":false,"excerpt":"This is a companion to my canvas stretching post. After you stretch a perfectly taut and square canvas, you're ready to prepare the surface. Our goal is threefold: protect the canvas protect the paint create a perfect surface\u00a0 Why do we have to protect the canvas?\u00a0 Oil is acidic, so\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/04\/surface-tools.jpg?fit=800%2C644&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/04\/surface-tools.jpg?fit=800%2C644&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/04\/surface-tools.jpg?fit=800%2C644&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/04\/surface-tools.jpg?fit=800%2C644&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4732,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-21815\/","url_meta":{"origin":4702,"position":2},"title":"In the studio 2\/18\/15","author":"Tom Hudson","date":"February 18, 2015","format":false,"excerpt":"The under-painting is done on The Photographer. All color areas are close to their planned final tone. Having said that, no part of the painting is finished; with the figure being the least finished. I'm happy with the stool and the hat. This 36\" x 48\" painting is thematically close\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-15b.jpg?fit=444%2C620&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4889,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/03\/in-the-studio-32215\/","url_meta":{"origin":4702,"position":3},"title":"In the studio 3\/22\/15","author":"Tom Hudson","date":"March 22, 2015","format":false,"excerpt":"I don't think I've shown this painting--Sunday Parade--before. According to my studio journal, today's painting session is the fifth. It was too raw. Still is, really. The underpainting isn't finished; but it's far enough along that you can get a sense of where it's going. This design is put together\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/03\/sunday_parade.jpg?fit=444%2C387&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4643,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-2115\/","url_meta":{"origin":4702,"position":4},"title":"In the studio 2\/1\/15","author":"Tom Hudson","date":"February 1, 2015","format":false,"excerpt":"I had my first painting session with Taking Note yesterday. Yesterday's session will be the first of 12 or so. I can't remember how many drawing sessions I had before I started painting--4 or 5 sounds about right. \u00a0Taking Note is 42\" x 60\" and it's a refreshing change of\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-1.jpg?fit=444%2C611&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5596,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/11\/in-the-studio-11115\/","url_meta":{"origin":4702,"position":5},"title":"In the studio 11\/1\/15","author":"Tom Hudson","date":"November 1, 2015","format":false,"excerpt":"The ground on this painting, Three Women (VW Bug), is wonderful. It's a traditional oil ground applied\u00a0over acrylic gesso. A\u00a0traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes the ground more covering and absorbent than oil paint alone, even when sanded. It's really\u2026","rel":"","context":"In "aesthetics"","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?fit=600%2C740&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?fit=600%2C740&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?fit=600%2C740&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1dQ","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/4702","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=4702"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/4702\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/4700"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=4702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=4702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=4702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}