{"id":5451,"date":"2015-09-27T13:21:56","date_gmt":"2015-09-27T17:21:56","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=5451"},"modified":"2015-09-27T13:21:56","modified_gmt":"2015-09-27T17:21:56","slug":"in-the-studio-92715","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/09\/in-the-studio-92715\/","title":{"rendered":"In the studio 9\/27\/15"},"content":{"rendered":"<p>This small painting (20&Prime; x 24&Prime;) is on a canvas board I prepared with traditional gesso (just whiting and glue). I like traditional gesso a lot. It&rsquo;s smooth and slightly absorbent. Unfortunately, it&rsquo;s too fragile for canvas and easily cracks. But it&rsquo;s great on&nbsp;firm surfaces. Canvas board, while not as firm as wood, is firm enough. I&rsquo;ve prepared a number&nbsp;of canvas boards with the gesso.<\/p>\n<figure id=\"attachment_5449\" aria-describedby=\"caption-attachment-5449\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.thomasparkerhudson.com\/wordpress\/2015\/09\/in-the-studio-92715\/studio-2015-9-27\/\" rel=\"attachment wp-att-5449\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5449\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/09\/studio-2015-9-27.jpg?resize=560%2C373\" alt=\"The unfinished 'Keith in Red Hoody'\" width=\"560\" height=\"373\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/09\/studio-2015-9-27.jpg?w=560&amp;ssl=1 560w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/09\/studio-2015-9-27.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/09\/studio-2015-9-27.jpg?resize=260%2C173&amp;ssl=1 260w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/09\/studio-2015-9-27.jpg?resize=160%2C107&amp;ssl=1 160w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\"><\/a><figcaption id=\"caption-attachment-5449\" class=\"wp-caption-text\">The unfinished &lsquo;Keith in Red Hoody&rsquo;<\/figcaption><\/figure>\n<p>Painting water is an interesting and fun challenge. It&rsquo;s easy to miss by being too broad or too detailed. I am starting to get the water where I want it: enticing to the eye but staying in place&ndash;not jumping out. The other interesting challenge in this painting is the red vs. green dynamic.<\/p>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/cleveland-museum-of-art\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">Cleveland Museum of Art Opens Renovations<\/span><\/a><\/div><p>Finally, small paintings provide their own challenges. In the photo, the painting is leaning against the large <em>Graduation Day,&nbsp;<\/em>which I finished this morning. I like changing scales&ndash;big and small. I am planning some really large paintings&ndash;5&prime; x 6&prime;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This small painting (20&Prime; x 24&Prime;) is on a canvas board I prepared with traditional gesso (just whiting and glue). I like traditional gesso a lot. It&rsquo;s smooth and slightly absorbent. Unfortunately, it&rsquo;s too fragile for canvas and easily cracks. But it&rsquo;s great on&nbsp;firm surfaces. Canvas board, while not as firm as wood, is firm [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":5449,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[208,6,24,19,1],"tags":[50,271,56],"class_list":["post-5451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-materials","category-paintings","category-shop_talk","category-studio","category-uncategorized","tag-painting-material","tag-studio","tag-unfinished-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/09\/studio-2015-9-27.jpg?fit=560%2C373&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4674,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-2815\/","url_meta":{"origin":5451,"position":0},"title":"In the studio 2\/8\/15","author":"Tom Hudson","date":"February 8, 2015","format":false,"excerpt":"I worked on these paintings this morning. I painted-out some foliage in the upper-right\u00a0of Three Girls.\u00a0The tone in the photo of that area is more yellow--by far--than the actual tone. The under-painting is done (has been for a bit) and I'm driving toward finishing it. It's a lot of fun\u2026","rel":"","context":"In &quot;Paintings&quot;","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-8.jpg?fit=444%2C613&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7516,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/11\/turpentine-diaries-11-26-17\/","url_meta":{"origin":5451,"position":1},"title":"Turpentine diaries 11\/26\/17","author":"Tom Hudson","date":"November 26, 2017","format":false,"excerpt":"After flavoring my medium with additions for several days, today I used my normal medium.\u00a0 I worked on this painting during both of today's sessions.\u00a0 When the painting surface is right, as with this painting, my normal medium is unbeatable.\u00a0 What is a good surface?\u00a0 I like smooth surfaces.\u00a0 'Smooth'\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-26.png?fit=800%2C682&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-26.png?fit=800%2C682&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-26.png?fit=800%2C682&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-26.png?fit=800%2C682&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4957,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/04\/in-the-studio-4515\/","url_meta":{"origin":5451,"position":2},"title":"In the studio 4\/5\/15","author":"Tom Hudson","date":"April 5, 2015","format":false,"excerpt":"I got some painting time this Easter morning with Washington Square. The under-painting is finished except for the figures behind and to the right of the white-shirted foreground figure. I finally(!) like the background beyond the pool. Washington Square is 44\" x 60.\" The composition is based on several photos\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/04\/studio-4-5-151.jpg?fit=500%2C338&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4732,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-21815\/","url_meta":{"origin":5451,"position":3},"title":"In the studio 2\/18\/15","author":"Tom Hudson","date":"February 18, 2015","format":false,"excerpt":"The under-painting is done on The Photographer. All color areas are close to their planned final tone. Having said that, no part of the painting is finished; with the figure being the least finished. I'm happy with the stool and the hat. This 36\" x 48\" painting is thematically close\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-15b.jpg?fit=444%2C620&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":186,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/smooth-move-smooth-painting-surfaces\/","url_meta":{"origin":5451,"position":4},"title":"Smooth Move\u2014Smooth Painting Surfaces","author":"Tom Hudson","date":"October 26, 2012","format":false,"excerpt":"All artists are self-taught today. It doesn't matter if you have a masters\u00a0degree or never set foot in an art school--everyone is on their own. The most important piece of painting gear my last professor had was a pair of fishing boots. His technique was to cover the studio floor\u2026","rel":"","context":"In &quot;Shop Talk&quot;","block_context":{"text":"Shop Talk","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/shop_talk\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4889,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/03\/in-the-studio-32215\/","url_meta":{"origin":5451,"position":5},"title":"In the studio 3\/22\/15","author":"Tom Hudson","date":"March 22, 2015","format":false,"excerpt":"I don't think I've shown this painting--Sunday Parade--before. According to my studio journal, today's painting session is the fifth. It was too raw. Still is, really. The underpainting isn't finished; but it's far enough along that you can get a sense of where it's going. This design is put together\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/03\/sunday_parade.jpg?fit=444%2C387&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1pV","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/5451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=5451"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/5451\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/5449"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=5451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=5451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=5451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}