{"id":5586,"date":"2015-10-31T12:47:05","date_gmt":"2015-10-31T16:47:05","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=5586"},"modified":"2015-10-31T12:47:05","modified_gmt":"2015-10-31T16:47:05","slug":"artists-studios","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/10\/artists-studios\/","title":{"rendered":"Artists&#8217; studios"},"content":{"rendered":"<p>Most of modern arts journalism is marketing. One infrequently encounters critical journalism these days. A recent article in Canadian journal <a href=\"http:\/\/thewalrus.ca\/\" target=\"_blank\" rel=\"noopener\">The Walrus<\/a> is pretty typical.&nbsp;&nbsp;The piece, <a href=\"http:\/\/thewalrus.ca\/a-portrait-of-the-artists-studio\/\" target=\"_blank\" rel=\"noopener\">A Portrait of the artist&rsquo;s Studio<\/a>, is about the photographer Joseph Hartman&rsquo;s series of portraits of artists&rsquo;&ndash;Canadian artists&ndash;studios. I was not familiar with any of the artists.<\/p>\n<p>The photos are remarkable for what they don&rsquo;t show. None of the artists are present. And it&rsquo;s very hard to get a sense of the artists&rsquo; work, at least in some of the photos. Otherwise, they are about what one expects. Some artists are very fastidious, while others are total slobs. Jasper Johns said that there are two types of artists, those that are very concerned with where they sit, and those who couldn&rsquo;t care less.<\/p>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/in-the-studio-oct-14-2012\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">In the Studio Oct. 14 2012<\/span><\/a><\/div><p>So, as an exercise in self-promotion, I&rsquo;m sharing &nbsp;photos of my studio. The paintings are all unfinished, except for <em>The Woman in Purple Boots<\/em> in the upper-left, which is drying. When it&rsquo;s dry, I&rsquo;ll move to storage.&nbsp;Readers know that it&rsquo;s my habit to work a painting then set it aside and let it dry. So I&rsquo;m working on any number of paintings at a given time. It&rsquo;s been my approach from the beginning.<\/p>\n<figure id=\"attachment_5585\" aria-describedby=\"caption-attachment-5585\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.thomasparkerhudson.com\/wordpress\/2015\/10\/artists-studios\/studio-aa\/\" rel=\"attachment wp-att-5585\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5585\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?resize=600%2C434\" alt=\"View of my studio\" width=\"600\" height=\"434\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?resize=300%2C217&amp;ssl=1 300w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?resize=560%2C405&amp;ssl=1 560w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?resize=260%2C188&amp;ssl=1 260w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-aa.jpg?resize=160%2C116&amp;ssl=1 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\"><\/a><figcaption id=\"caption-attachment-5585\" class=\"wp-caption-text\">View of my studio<\/figcaption><\/figure>\n<p>Besides the unfinished paintings, these photos show my two paint cabinets. One three-drawer cabinet contains yellows, greens, and blues. The other contains reds, whites, and earths. Most of my brushes are on the work table. My biggest brushes are not in the photos.The green ledger book is my studio journal where I record my studio activities each day.<\/p>\n<figure id=\"attachment_5584\" aria-describedby=\"caption-attachment-5584\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.thomasparkerhudson.com\/wordpress\/2015\/10\/artists-studios\/studio-bb\/\" rel=\"attachment wp-att-5584\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5584\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-bb.jpg?resize=600%2C400\" alt=\"Another view of the studio\" width=\"600\" height=\"400\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-bb.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-bb.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-bb.jpg?resize=560%2C373&amp;ssl=1 560w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-bb.jpg?resize=260%2C173&amp;ssl=1 260w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-bb.jpg?resize=160%2C107&amp;ssl=1 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\"><\/a><figcaption id=\"caption-attachment-5584\" class=\"wp-caption-text\">Another view of the studio<\/figcaption><\/figure>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/stephen-pentak-at-bonfoey\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">Stephen Pentak at Bonfoey<\/span><\/a><\/div><p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Most of modern arts journalism is marketing. One infrequently encounters critical journalism these days. A recent article in Canadian journal The Walrus is pretty typical.&nbsp;&nbsp;The piece, A Portrait of the artist&rsquo;s Studio, is about the photographer Joseph Hartman&rsquo;s series of portraits of artists&rsquo;&ndash;Canadian artists&ndash;studios. I was not familiar with any of the artists. The photos [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":5584,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,139,24,19,1],"tags":[271],"class_list":["post-5586","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-bio","category-shop_talk","category-studio","category-uncategorized","tag-studio"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/10\/studio-bb.jpg?fit=600%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5900,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2016\/03\/in-the-studio-32016\/","url_meta":{"origin":5586,"position":0},"title":"In the studio 3\/20\/16","author":"Tom Hudson","date":"March 20, 2016","format":false,"excerpt":"I made progress on Euclid Avenue I\u00a0this morning. \u00a0Progress on the\u00a048\" x 60\" painting\u00a0has been slow at times. \u00a0This canvas is from a\u00a0stock of 'professional grade' canvases I bought some time back. \u00a0The surfaces on these 'professional grade' canvases are very poor--execrable. \u00a0I've had to spend a lot of time\u2026","rel":"","context":"In &quot;aesthetics&quot;","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/03\/studio-2016-3-20.jpg?fit=666%2C561&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/03\/studio-2016-3-20.jpg?fit=666%2C561&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/03\/studio-2016-3-20.jpg?fit=666%2C561&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":8868,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2020\/07\/turp-oms\/","url_meta":{"origin":5586,"position":1},"title":"Turp? OMS?","author":"Tom Hudson","date":"July 7, 2020","format":false,"excerpt":"There is a lot of confusion among artists about turpentine and mineral spirits. Some YouTubers promote Gamasol as an alternative to turpentine. One even recommends Gamsol as a natural substitute for mineral spirits.(?) This particular artist provides commercial seminars on oil painting! Turpentine is distilled from the naturally-occurring resin from\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/07\/studio-2020-7-5.png?fit=800%2C633&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/07\/studio-2020-7-5.png?fit=800%2C633&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/07\/studio-2020-7-5.png?fit=800%2C633&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/07\/studio-2020-7-5.png?fit=800%2C633&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10556,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2022\/06\/liberty-avenue-progress\/","url_meta":{"origin":5586,"position":2},"title":"Liberty Avenue progress","author":"Tom Hudson","date":"June 3, 2022","format":false,"excerpt":"I've had 4-5 sessions with my new painting titled Liberty Avenue. The painting is still in the early stages: the boat has left the slip and is in the channel but it hasn't made to the sea. Once at sea, the voyage can take some time--depending on the headwinds. Some\u2026","rel":"","context":"In &quot;Paintings&quot;","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/06\/lib-3.jpg?fit=1200%2C844&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/06\/lib-3.jpg?fit=1200%2C844&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/06\/lib-3.jpg?fit=1200%2C844&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/06\/lib-3.jpg?fit=1200%2C844&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2022\/06\/lib-3.jpg?fit=1200%2C844&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2527,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/08\/in-the-studio-8252013\/","url_meta":{"origin":5586,"position":3},"title":"In the Studio 8\/25\/2013","author":"Tom Hudson","date":"August 25, 2013","format":false,"excerpt":"My wife hates this unfinished self-portrait. She says it doesn't look anything like me--I look a bit crazed. Ha! In the recent batch of self-portraits, I want to be relentless. My fellow artists will understand my meaning.","rel":"","context":"In &quot;Bio&quot;","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"Recent works on the easel","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/08\/studio-8-25-13.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8648,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2019\/11\/proper-scale\/","url_meta":{"origin":5586,"position":4},"title":"Proper scale","author":"Tom Hudson","date":"November 30, 2019","format":false,"excerpt":"Scale plays a big part in how I handle a painting. By scale I mean the size of the canvas. A single figure on a 6-foot canvas requires a different treatment than the same figure would on a 6-inch canvas. I didn't understand that early in my career, but as\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/11\/studio-2019-11-30.jpg?fit=800%2C756&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/11\/studio-2019-11-30.jpg?fit=800%2C756&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/11\/studio-2019-11-30.jpg?fit=800%2C756&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2019\/11\/studio-2019-11-30.jpg?fit=800%2C756&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7030,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/04\/studio-journal-42217\/","url_meta":{"origin":5586,"position":5},"title":"Studio journal 4\/22\/17","author":"Tom Hudson","date":"April 22, 2017","format":false,"excerpt":"I worked on The Picnic and nothing else for the past few days. The Picnic has a painting surface that is difficult. \u00a0This doesn't happen often anymore but it's annoying when it does happen. \u00a0It slows everything down. \u00a0Luckily, an intermediate varnish solved the problem and things are more to\u2026","rel":"","context":"In &quot;Art Museums&quot;","block_context":{"text":"Art Museums","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/art-museum\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-22.png?fit=800%2C531&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-22.png?fit=800%2C531&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-22.png?fit=800%2C531&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/04\/studio-2017-4-22.png?fit=800%2C531&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1s6","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/5586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=5586"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/5586\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/5584"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=5586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=5586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=5586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}