{"id":5596,"date":"2015-11-01T18:10:59","date_gmt":"2015-11-01T23:10:59","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=5596"},"modified":"2015-11-01T18:13:20","modified_gmt":"2015-11-01T23:13:20","slug":"in-the-studio-11115","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/11\/in-the-studio-11115\/","title":{"rendered":"In the studio 11\/1\/15"},"content":{"rendered":"<p>The ground on this painting, <em>Three Women (VW Bug)<\/em>, is wonderful. It&#8217;s a traditional oil ground applied\u00a0over acrylic gesso. A\u00a0traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes the ground more covering and absorbent than oil paint alone, even when sanded. It&#8217;s really great to paint on. I didn&#8217;t add any tone to the ground and started painting directly onto the white surface after finishing the drawing.<\/p>\n<figure id=\"attachment_5595\" aria-describedby=\"caption-attachment-5595\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.thomasparkerhudson.com\/wordpress\/2015\/11\/in-the-studio-11115\/studio-2015-11-1\/\" rel=\"attachment wp-att-5595\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5595\" src=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?resize=600%2C740\" alt=\"The unfinished 'Three Women (WV bug)' on the easel \" width=\"600\" height=\"740\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?resize=243%2C300&amp;ssl=1 243w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?resize=560%2C691&amp;ssl=1 560w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?resize=260%2C321&amp;ssl=1 260w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?resize=160%2C197&amp;ssl=1 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-5595\" class=\"wp-caption-text\">The unfinished &#8216;Three Women (WV bug)&#8217; on the easel<\/figcaption><\/figure>\n<p>I&#8217;ve experimented with adding a neutral tone to the oil ground and that has worked well. The next batch of canvases with be prepared like this one, but after the drawing is finished, I&#8217;ll applyd a neutral grey tone over the drawing\u00a0before I start painting.<\/p>\n<p><em>Three Women (VW Bug)<\/em> is based on a photo taken several years ago of my daughter and her friends standing in front of her friend;&#8217;s mother&#8217;s Bug. When I was 16, my very first car was a green Bug. I hated that car. Because the engine was in the back, it handled was very poorly in the snow, plus it was freezing in the winter. You couldn&#8217;t pay me to drive a bug today. Of course, I never told my daughter&#8217;s friend&#8217;s mother that. Anyway, the car&#8217;s greenish blue color is tricky but I think I&#8217;ve got it now.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The ground on this painting, Three Women (VW Bug), is wonderful. It&#8217;s a traditional oil ground applied\u00a0over acrylic gesso. A\u00a0traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes the ground more covering and absorbent than oil paint alone, even when sanded. It&#8217;s really great to paint on. I [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":5595,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[251,139,208,6,24,19,1],"tags":[50,271,56],"class_list":["post-5596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aesthetics","category-bio","category-materials","category-paintings","category-shop_talk","category-studio","category-uncategorized","tag-painting-material","tag-studio","tag-unfinished-paintings"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-1.jpg?fit=600%2C740&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4674,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-2815\/","url_meta":{"origin":5596,"position":0},"title":"In the studio 2\/8\/15","author":"Tom Hudson","date":"February 8, 2015","format":false,"excerpt":"I worked on these paintings this morning. I painted-out some foliage in the upper-right\u00a0of Three Girls.\u00a0The tone in the photo of that area is more yellow--by far--than the actual tone. The under-painting is done (has been for a bit) and I'm driving toward finishing it. It's a lot of fun\u2026","rel":"","context":"In &quot;Paintings&quot;","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-8.jpg?fit=444%2C613&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4643,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-2115\/","url_meta":{"origin":5596,"position":1},"title":"In the studio 2\/1\/15","author":"Tom Hudson","date":"February 1, 2015","format":false,"excerpt":"I had my first painting session with Taking Note yesterday. Yesterday's session will be the first of 12 or so. I can't remember how many drawing sessions I had before I started painting--4 or 5 sounds about right. \u00a0Taking Note is 42\" x 60\" and it's a refreshing change of\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-1.jpg?fit=444%2C611&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4732,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/02\/in-the-studio-21815\/","url_meta":{"origin":5596,"position":2},"title":"In the studio 2\/18\/15","author":"Tom Hudson","date":"February 18, 2015","format":false,"excerpt":"The under-painting is done on The Photographer. All color areas are close to their planned final tone. Having said that, no part of the painting is finished; with the figure being the least finished. I'm happy with the stool and the hat. This 36\" x 48\" painting is thematically close\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/02\/studio-2015-2-15b.jpg?fit=444%2C620&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4889,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/03\/in-the-studio-32215\/","url_meta":{"origin":5596,"position":3},"title":"In the studio 3\/22\/15","author":"Tom Hudson","date":"March 22, 2015","format":false,"excerpt":"I don't think I've shown this painting--Sunday Parade--before. According to my studio journal, today's painting session is the fifth. It was too raw. Still is, really. The underpainting isn't finished; but it's far enough along that you can get a sense of where it's going. This design is put together\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/03\/sunday_parade.jpg?fit=444%2C387&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4945,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/03\/in-the-studio-32915\/","url_meta":{"origin":5596,"position":4},"title":"In the studio 3\/29\/15","author":"Tom Hudson","date":"March 29, 2015","format":false,"excerpt":"The under-painting for\u00a0Woman in Purple Boots is finished. This means that everything has a layer of paint--darks, lights, and local colors. The last time I showed this in a 'Studio Corner' post it was still pretty raw. Woman in Purple Boots is an example of how I prefer to prepare\u2026","rel":"","context":"In &quot;Paintings&quot;","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/03\/studio-2015-3-29.jpg?fit=500%2C343&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4964,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/04\/applying-an-oil-ground\/","url_meta":{"origin":5596,"position":5},"title":"Applying an oil ground","author":"Tom Hudson","date":"April 6, 2015","format":false,"excerpt":"I am preparing\u00a0a bunch of canvases just now--six size 40\" x 50\", and six size 36\" x 48.\" \u00a0Typically, I apply 2-3 coats of acrylic gesso over\u00a02 coats of GAC 100.\u00a0I might drop the GAC. Although it's easy enough to screw up a canvas early on (canvas quality can be\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/04\/oil-ground.jpg?fit=444%2C305&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1sg","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/5596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=5596"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/5596\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/5595"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=5596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=5596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=5596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}