{"id":5900,"date":"2016-03-20T17:47:03","date_gmt":"2016-03-20T21:47:03","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=5900"},"modified":"2016-03-22T08:06:47","modified_gmt":"2016-03-22T12:06:47","slug":"in-the-studio-32016","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2016\/03\/in-the-studio-32016\/","title":{"rendered":"In the studio 3\/20\/16"},"content":{"rendered":"

I made progress on Euclid Avenue I<\/em> this morning.  Progress on the 48″ x 60″ painting has been slow at times.  This canvas is from a stock of ‘professional grade’ canvases I bought some time back.  The surfaces on these ‘professional grade’ canvases are very poor–execrable.  I’ve had to spend a lot of time correcting them and still the grounds are sub par.  I paid a premium for these canvases in order to save time.   I wrote about this experience<\/a>.  Since then, I prepare all of my own canvases.  Artists have to be wary of shysters, or–perhaps worse–craftsmen who do not understand what quality is.<\/p>\n

\"Euclid<\/a>
Euclid Avenue I on the easel, part of the Playhouse Square series<\/figcaption><\/figure>\n

Anyway, fighting the ground has made progress slower than usual.  Fighting poor-quality materials is one reason I write so much about materials and craftsmanship.<\/p>\n

Using photographs in paintings<\/h3>\n
Read more<\/span>Cleveland Museum of Art Opens Renovations<\/span><\/a><\/div>

I’ve never enjoyed paintings that are intended to look like photographs.  When I was a young art student, I felt like the last figurative artist in the world, and, in my isolation, I pulled every bit of support I could from artists like Pearlstein<\/a> and Leslie<\/a>.  But photorealism<\/a> left me cold.  When many of my fellow students, equally frustrated at having the tenets of modern art relentlessly shoved down our throats, turned to photorealism as a way out, I couldn’t follow them.  Photorealism seemed like a dead end.  I haven’t changed my opinion.  For a time, I refused to use photographs in my work.<\/p>\n

Now, they are another tool in my toolbox.  In preparation for my Playhouse Square series, I took hundreds of photographs around Cleveland’s Playhouse Square.  It’s like having the entire Square as a studio.  I can mix figures from different days moving through one of the Square’s street corners.<\/p>\n

\"Photo<\/a>
Photo used in my Playhouse Square series<\/figcaption><\/figure>\n
Read more<\/span>In the Studio Oct. 14 2012<\/span><\/a><\/div>

Even though Euclid Avenue I<\/em> is unfinished, it is a good example of my method.  This photograph provides the painting’s basis.  I moved the central figures forward toward the viewer, and then added figures from two other photographs taken on different days.  My trove of photos provides the figures for my drawings and paintings.  I have masses of photos on several other topics too.<\/p>\n","protected":false},"excerpt":{"rendered":"

I made progress on Euclid Avenue I this morning.  Progress on the 48″ x 60″ painting has been slow at times.  This canvas is from a stock of ‘professional grade’ canvases I bought some time back.  The surfaces on these ‘professional grade’ canvases are very poor–execrable.  I’ve had to spend a lot of time correcting them and still the […]<\/p>\n","protected":false},"author":61,"featured_media":5896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[251,5,139,10,208,6,24,19,1],"tags":[243,271,56],"class_list":["post-5900","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aesthetics","category-artists","category-bio","category-cleveland","category-materials","category-paintings","category-shop_talk","category-studio","category-uncategorized","tag-playhouse-square-series","tag-studio","tag-unfinished-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/03\/studio-2016-3-20.jpg?fit=666%2C561&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5604,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/11\/in-the-studio-11715\/","url_meta":{"origin":5900,"position":0},"title":"In the studio 11\/7\/15","author":"Tom Hudson","date":"November 7, 2015","format":false,"excerpt":"When the painting ground (surface) isn't up to snuff paintings take longer. The ground for The Photographer is one of the poor ones. A small change in the preparation can have a major effect. I'll not repeat the same experiment again. It's taking a long time to get the surface\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-7.jpg?fit=600%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-7.jpg?fit=600%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/11\/studio-2015-11-7.jpg?fit=600%2C900&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":4095,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2014\/09\/new-painting-washington-square\/","url_meta":{"origin":5900,"position":1},"title":"New painting Washington Square","author":"Tom Hudson","date":"September 14, 2014","format":"status","excerpt":"I had\u00a0several painting sessions with a new painting titled Washington Square. I finished the drawing yesterday morning (6th or 7th drawing session) and started straightaway on the painting. The 44\" x 60\" has twelve figures--and pigeons! It's not far enough along to show yet. The painting is very rough and\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2026,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/06\/drawing-drawing-drawing\/","url_meta":{"origin":5900,"position":2},"title":"Drawing, Drawing, Drawing","author":"Tom Hudson","date":"June 2, 2013","format":false,"excerpt":"Lately, I've spent nearly all my time drawing. The accompanying photo shows three canvases prepared and ready for painting. The finished ink drawings were covered by a thin varnish-based ground.\u00a0 After the neutral-gray grounds are thoroughly dry (about a week), I will start painting them. The two larger paintings are\u2026","rel":"","context":"In "Bio"","block_context":{"text":"Bio","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/bio\/"},"img":{"alt_text":"Three Canvases With Finished Drawings and Grounds","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/06\/draw-1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6066,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2016\/05\/in-the-studio-52716\/","url_meta":{"origin":5900,"position":3},"title":"In the studio 5\/27\/16","author":"Tom Hudson","date":"May 27, 2016","format":false,"excerpt":"These small still lifes are based on photos I took during a trip to Colorado with my son, Garth. \u00a0I started both of them the same morning,\u00a0the upper one first. \u00a0The larger one is 24\" x 30\". \u00a0The small format is unusual for me these days. \u00a0I've stuck with large-size\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/05\/2-landscapes.jpg?fit=500%2C733&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6699,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/01\/studio-journal-12917\/","url_meta":{"origin":5900,"position":4},"title":"Studio journal 1\/29\/17","author":"Tom Hudson","date":"January 29, 2017","format":false,"excerpt":"Paintings take on a life of their own. \u00a0Sometimes that's good; other times, not so good and I argue with the painting. \u00a0I am not arguing with Playhouse Square Visit but I am surprised at the direction it insists on taking me. \u00a0Not unhappy--just surprised. 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I've covered the canvas with paint, and now I'm putting it aside to dry. I typically need 12 sessions to finish a painting of this size. I am in a fury of work. 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