{"id":7096,"date":"2017-06-03T10:02:38","date_gmt":"2017-06-03T14:02:38","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=7096"},"modified":"2017-06-03T10:02:38","modified_gmt":"2017-06-03T14:02:38","slug":"studio-journal-6217","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/06\/studio-journal-6217\/","title":{"rendered":"Studio journal 6\/2\/17"},"content":{"rendered":"

After spending the morning drawing, I fully intended to finish Euclid Avenue #1<\/em>, which I wrote about in the previous Studio journal post, and you can see it in the background of this photo.  Instead, I worked on Jane and Keith Aboard the Betty Jane<\/em>. Both paintings are 48″ x 60.”  <\/p>\n

\"\"<\/a><\/p>\n

Read more<\/span>Cleveland Museum of Art Opens Renovations<\/span><\/a><\/div>

I plan to finish Euclid Avenue #1<\/em> as soon as I post this.<\/p>\n

I like RGH’s extra-fine flake white. It’s on the runny side.  And it’s ground in safflower oil.  I prefer stiff paint that I can make malleable myself.  But RGH’s extra-fine white handles very well which, after all, is the point.<\/p>\n","protected":false},"excerpt":{"rendered":"

After spending the morning drawing, I fully intended to finish Euclid Avenue #1, which I wrote about in the previous Studio journal post, and you can see it in the background of this photo.  Instead, I worked on Jane and Keith Aboard the Betty Jane. Both paintings are 48″ x 60.”   Read moreCleveland Museum of Art […]<\/p>\n","protected":false},"author":61,"featured_media":7095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[208,6,24,19],"tags":[50,271,56],"class_list":["post-7096","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-materials","category-paintings","category-shop_talk","category-studio","tag-painting-material","tag-studio","tag-unfinished-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-2.jpg?fit=800%2C648&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":7092,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/06\/studio-journal-6117\/","url_meta":{"origin":7096,"position":0},"title":"Studio journal 6\/1\/17","author":"Tom Hudson","date":"June 1, 2017","format":false,"excerpt":"I was locked and loaded, ready to finish Euclid Avenue I this morning but I didn't make it. \u00a0Maybe tomorrow, although I planned to spend tomorrow drawing on some new canvases. I am still using my recently-purchased 'extra-fine flake white' from RGH--you can see it in the middle of the\u2026","rel":"","context":"In "Cleveland"","block_context":{"text":"Cleveland","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/cleveland\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-1.jpg?fit=800%2C560&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-1.jpg?fit=800%2C560&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-1.jpg?fit=800%2C560&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-1.jpg?fit=800%2C560&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7470,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/11\/turpentine-journal-11-19-17\/","url_meta":{"origin":7096,"position":1},"title":"Turpentine journal 11\/19\/17","author":"Tom Hudson","date":"November 20, 2017","format":false,"excerpt":"Upsidedown. It's useful to look at your paintings in mirrors or upsidedown, as I've down here.\u00a0 The old rule-of-thumb maintains that a painting should be balanced when\u00a0looked at normally and in a mirror.\u00a0 That old rule-of-thumb still holds as far as I'm concerned.\u00a0 Three Women in Sandals, part of the\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?fit=800%2C777&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?fit=800%2C777&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?fit=800%2C777&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?fit=800%2C777&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7125,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/06\/studio-journal-61817\/","url_meta":{"origin":7096,"position":2},"title":"Studio journal 6\/18\/17","author":"Tom Hudson","date":"June 18, 2017","format":false,"excerpt":"I used RGH's extra-fine flake white and viridian green in today's sessions. \u00a0RGH sells both paints in jars, which I don't like. \u00a0But both jars have remained fresh. I've\u00a0had the viridian for some time and it's still fresh. The pile of paint on the paper palette is a mixture of\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-18.jpg?fit=800%2C829&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6594,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2016\/12\/studio-journal-122816\/","url_meta":{"origin":7096,"position":3},"title":"Studio journal 12\/28\/16","author":"Tom Hudson","date":"December 28, 2016","format":false,"excerpt":"Euclid Avenue #1 took up my time today. \u00a0Euclid Avenue #1 is part of the Playhouse Square series. \u00a0Push-pull. I've disdained synthetic brushes in the past, but I finally found a model that behaves decently: Escoda\u00a0Primera. \u00a0The\u00a0Escoda\u00a0Primera model, like all synthetics, is rugged. \u00a0It handles well for a synthetic; not\u2026","rel":"","context":"In "materials"","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/12\/studio-2016-12-28.jpg?fit=800%2C815&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/12\/studio-2016-12-28.jpg?fit=800%2C815&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/12\/studio-2016-12-28.jpg?fit=800%2C815&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2016\/12\/studio-2016-12-28.jpg?fit=800%2C815&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7084,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/05\/studio-journal-52117\/","url_meta":{"origin":7096,"position":4},"title":"Studio journal 5\/21\/17","author":"Tom Hudson","date":"May 21, 2017","format":false,"excerpt":"I was able to spend time with this painting yesterday, working all over it. Girl in the Lavender\u00a0Dress is based on a mash-up of several\u00a0photos. \u00a0It's part of the Playhouse Square. series. I also painted a small oil study yesterday. \u00a0 I am using RGH's \"extra fine\" flake white. \u00a0After\u2026","rel":"","context":"In "Cleveland"","block_context":{"text":"Cleveland","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/cleveland\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5232,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/07\/in-the-studio-7515\/","url_meta":{"origin":7096,"position":5},"title":"In the studio 7\/5\/15","author":"Tom Hudson","date":"July 5, 2015","format":false,"excerpt":"This unfinished painting on the easel, Euclid Avenue II, is from my Playhouse Square series. (Euclid Avenue I has a lot more figures and is still in the drawing stage.) The painting is 4' x 5' and simply covering it with paint a bit of chore. \u00a0I've already spent a\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/07\/studio-2015-7-5.jpg?fit=444%2C664&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1Qs","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/7096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=7096"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/7096\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/7095"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=7096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=7096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=7096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}