{"id":7282,"date":"2017-09-07T21:20:40","date_gmt":"2017-09-08T01:20:40","guid":{"rendered":"http:\/\/www.thomasparkerhudson.com\/wordpress\/?p=7282"},"modified":"2017-09-07T21:20:40","modified_gmt":"2017-09-08T01:20:40","slug":"two-paintings-today","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/09\/two-paintings-today\/","title":{"rendered":"Two paintings today"},"content":{"rendered":"

I used to think speed is important in art making.  Speed relates to spontaneity–some say–and spontaneity guarantees authenticity, if not creativity.  While spontaneity is important in art making, it’s not fundamental.  Even if you insist that spontaneity is essential, you can’t make the same claim for speed.  Speed is simply irrelevant.<\/p>\n

Another important idea for me is ‘paint what you see;’  to address the present<\/em>.  While this idea, like spontaneity, is not fundamental, it’s fertile and orients one in the right direction.  But confining oneself to the present is too limiting, if not impossible.  Does the present exist?     <\/p>\n

Read more<\/span>Cleveland Museum of Art Opens Renovations<\/span><\/a><\/div>

While working on these two paintings today, I thought about a video I saw recently. The video followed an artist as she went about her normal routine. She was going to do a painting–start to finish–during the course of the day, and it was all going to be taped.  She made a lot of claims about how important it was to finish a painting quickly.  In her view, only inauthentic artists take longer than a single day to finish a painting.  She also implied that anything worth painting can be accomplished in a single day.  She was adamant about these points and proud of her discipline.   <\/p>\n

\"\"<\/p>\n

Read more<\/span>In the Studio Oct. 14 2012<\/span><\/a><\/div>

She filled her van with her gear and started off.  She drove into the country, upstate New York perhaps, and spent a lot of time looking for a spot.  Finally, she parked under an overpass and began setting up.  She had a lot of gear including a big beach umbrella.  I expected her to setup before a verdant summertime landscape.  Instead, she placed her easel directly in front of the overpass wall.  Graffiti of a clock face on the wall was her subject.   Did she drive into the country with all her paraphernalia for this?<\/p>\n

She worked on the painting all day, only stopping briefly for lunch.  It was hot and as the day progressed, she became increasingly frustrated. Finally, she dropped her brush and turning toward the camera she started to cry.  The painting was a disaster, she said.  I had to agree.  I turned off the tape.  <\/p>\n

Read more<\/span>In the Studio—10\/28\/12<\/span><\/a><\/div>

She was brave, I suppose, to let the videographer publish the video.  Was the artist a young art school professor?  In art schools, art is done effortlessly by the cool.  In her world, perhaps, confronting nature, even with training wheels, is wildly dangerous.    <\/p>\n

Anyway, I don’t care about speed anymore but I did do the two small paintings in the photo today.  I wanted to work-up the same subject several times.  Both versions of Landscape with an Urn<\/em> are oil, 20″ x 24″.     <\/p>\n","protected":false},"excerpt":{"rendered":"

I used to think speed is important in art making.  Speed relates to spontaneity–some say–and spontaneity guarantees authenticity, if not creativity.  While spontaneity is important in art making, it’s not fundamental.  Even if you insist that spontaneity is essential, you can’t make the same claim for speed.  Speed is simply irrelevant. Another important idea for […]<\/p>\n","protected":false},"author":61,"featured_media":7288,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[235,139,6,1],"tags":[9],"class_list":["post-7282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anecdotes","category-bio","category-paintings","category-uncategorized","tag-paintings-2"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/2-landscapes.png?fit=800%2C1299&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6783,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/02\/studio-journal-22117\/","url_meta":{"origin":7282,"position":0},"title":"Studio journal 2\/21\/17","author":"Tom Hudson","date":"February 21, 2017","format":false,"excerpt":"I've always approached painting as a process of carving away and revealing, the way I imagine a sculptor approaches sculpting. \u00a0Not modeling but\u00a0carving. \u00a0I bring this up because this unfinished painting,\u00a0Sub Rosa,\u00a0is a pretty good example of my approach. \u00a0 There are many ways to talk about painting, of course.\u2026","rel":"","context":"In "aesthetics"","block_context":{"text":"aesthetics","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/aesthetics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/02\/studio-2017-2-19.gif?fit=800%2C492&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/02\/studio-2017-2-19.gif?fit=800%2C492&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/02\/studio-2017-2-19.gif?fit=800%2C492&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/02\/studio-2017-2-19.gif?fit=800%2C492&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8043,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2018\/08\/turpentine-diaries-8-18-18\/","url_meta":{"origin":7282,"position":1},"title":"Turpentine diaries 8\/18\/18","author":"Tom Hudson","date":"August 18, 2018","format":false,"excerpt":"I am keeping everything simple and direct with The Woman in the Red Pants. Overworking can be death to a painting.\u00a0 On the other hand, I have a horror of the blast, fire, shoot, throw, and fling army of ala prima painters who've taken over the Art World, at least\u2026","rel":"","context":"In "Cleveland"","block_context":{"text":"Cleveland","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/cleveland\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/08\/studio-2018-8-18.jpg?fit=800%2C1058&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/08\/studio-2018-8-18.jpg?fit=800%2C1058&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/08\/studio-2018-8-18.jpg?fit=800%2C1058&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2018\/08\/studio-2018-8-18.jpg?fit=800%2C1058&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4848,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2015\/03\/in-the-studio-31515\/","url_meta":{"origin":7282,"position":2},"title":"In the studio 3\/15\/15","author":"Tom Hudson","date":"March 15, 2015","format":false,"excerpt":"I worked all day yesterday and today on The News. According to my studio journal, today's painting session was the thirteenth. \u00a0I'm almost finished. People who know me laugh whenever I say a painting is almost finished. Some paintings have been almost finished for months. But if the drawing is\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2015\/03\/the_news_unfinished.jpg?fit=500%2C694&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7386,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/10\/multiple-treatments-of-the-same-subject-yet-again\/","url_meta":{"origin":7282,"position":3},"title":"Multiple treatments of the same subject (yet again)","author":"Tom Hudson","date":"October 21, 2017","format":false,"excerpt":"I spent another morning working on several versions of the same subject.\u00a0 \u00a0The top version is charcoal and chalk on toned ground.\u00a0 The paper is extremely thick.\u00a0 I don't remember the supplier (I bought it some time ago) and I\u00a0no longer like the super-rough surface. The bottom version is oil\u2026","rel":"","context":"In "Drawings"","block_context":{"text":"Drawings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/drawings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/10\/landscapes-paint-draw.png?fit=690%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/10\/landscapes-paint-draw.png?fit=690%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/10\/landscapes-paint-draw.png?fit=690%2C1200&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":215,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/in-the-studio-102812\/","url_meta":{"origin":7282,"position":4},"title":"In the Studio\u201410\/28\/12","author":"Tom Hudson","date":"October 30, 2012","format":false,"excerpt":"The winds from a furious Nor'easter pound against the studio windows. Whitecaps crash against the shore one after the other with ceaseless regularity, their white froth nearlty reaching the studio door. They say this storm will join with hurricane Sandy in the next day or so. Inside it's comfy-cozy. The\u2026","rel":"","context":"In "Paintings"","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"Tom Hudson Studio 10\/28\/12","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2012\/10\/studio_10_28_12-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14133,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2026\/01\/looking-at-my-own-paintings\/","url_meta":{"origin":7282,"position":5},"title":"Looking at my own paintings","author":"Tom Hudson","date":"January 22, 2026","format":false,"excerpt":"My unfinished paintings surround me here in the studio. I never look at them; rather, my eye studies them, and I try to make my eye happy. I hear \"It needs more work,\" and \"Come on, you lazy dog, pick up the brush.\" I like to get to the studio\u2026","rel":"","context":"In "anecdotes"","block_context":{"text":"anecdotes","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/anecdotes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2026\/01\/stack-unfinished.jpg?fit=800%2C1067&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2026\/01\/stack-unfinished.jpg?fit=800%2C1067&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2026\/01\/stack-unfinished.jpg?fit=800%2C1067&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2026\/01\/stack-unfinished.jpg?fit=800%2C1067&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1Ts","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/7282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=7282"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/7282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/7288"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=7282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=7282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=7282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}