{"id":7470,"date":"2017-11-20T09:03:00","date_gmt":"2017-11-20T14:03:00","guid":{"rendered":"https:\/\/www.thomasparkerhudson.com\/wordpress\/?p=7470"},"modified":"2017-11-20T09:03:00","modified_gmt":"2017-11-20T14:03:00","slug":"turpentine-journal-11-19-17","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/11\/turpentine-journal-11-19-17\/","title":{"rendered":"Turpentine journal 11\/19\/17"},"content":{"rendered":"<p><em>Upsidedown<\/em>. It&rsquo;s useful to look at your paintings in mirrors or upsidedown, as I&rsquo;ve down here.&nbsp; The old rule-of-thumb maintains that a painting should be balanced when&nbsp;looked at normally <em>and<\/em> in a mirror.&nbsp; That old rule-of-thumb still holds as far as I&rsquo;m concerned.&nbsp; <em>Three Women in Sandals<\/em>, part of the Playhouse Square series, looks OK upsidedown; there are no surprises.<\/p>\n<p><a href=\"https:\/\/www.thomasparkerhudson.com\/wordpress\/studio-2017-11-19\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7468\" src=\"https:\/\/i0.wp.com\/www.thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?resize=800%2C777&#038;ssl=1\" alt=\"\" width=\"800\" height=\"777\" srcset=\"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?resize=600%2C583&amp;ssl=1 600w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?resize=300%2C291&amp;ssl=1 300w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?resize=768%2C746&amp;ssl=1 768w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?resize=560%2C544&amp;ssl=1 560w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?resize=260%2C253&amp;ssl=1 260w, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?resize=160%2C155&amp;ssl=1 160w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/a><\/p>\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/cleveland-museum-of-art\/\" class=\"template-2\"><span class=\"cta\">Read more<\/span><span class=\"postTitle\">Cleveland Museum of Art Opens Renovations<\/span><\/a><\/div><p>For today&rsquo;s&nbsp;session, I am once again using RGH&rsquo;s extra-fine flake white.&nbsp; I had been using RGH&rsquo;s flake white ground in walnut oil and I liked it. Their extra-fine white is ground in safflower oil.<\/p>\n<p><em>Three Women in Sandals<\/em>&nbsp;is locked in a good place but several things still bug me.&nbsp; No, I won&rsquo;t tell you what they are.&nbsp; Once I can satisfy myself regarding those issues, I can finish the painting quickly.&nbsp; We&rsquo;ll see.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Upsidedown. It&rsquo;s useful to look at your paintings in mirrors or upsidedown, as I&rsquo;ve down here.&nbsp; The old rule-of-thumb maintains that a painting should be balanced when&nbsp;looked at normally and in a mirror.&nbsp; That old rule-of-thumb still holds as far as I&rsquo;m concerned.&nbsp; Three Women in Sandals, part of the Playhouse Square series, looks OK [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":7468,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,24,19,343,1],"tags":[243,56],"class_list":["post-7470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paintings","category-shop_talk","category-studio","category-turpentine-diaries","category-uncategorized","tag-playhouse-square-series","tag-unfinished-paintings"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/11\/studio-2017-11-19.png?fit=800%2C777&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":7084,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/05\/studio-journal-52117\/","url_meta":{"origin":7470,"position":0},"title":"Studio journal 5\/21\/17","author":"Tom Hudson","date":"May 21, 2017","format":false,"excerpt":"I was able to spend time with this painting yesterday, working all over it. Girl in the Lavender\u00a0Dress is based on a mash-up of several\u00a0photos. \u00a0It's part of the Playhouse Square. series. I also painted a small oil study yesterday. \u00a0 I am using RGH's \"extra fine\" flake white. \u00a0After\u2026","rel":"","context":"In &quot;Cleveland&quot;","block_context":{"text":"Cleveland","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/cleveland\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/05\/studio-2017-5-21.jpg?fit=800%2C600&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7313,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/09\/turpentine-diaries-91617\/","url_meta":{"origin":7470,"position":1},"title":"Turpentine diaries 9\/16\/17","author":"Tom Hudson","date":"September 16, 2017","format":false,"excerpt":"Along 4th Street is 40\" x 50.\" \u00a0The surface is very good and the painting is moving well. \u00a0When the surface is solid, I do less re-painting and things go faster. I've written about how much I like RGH's Extra-fine Flake white. \u00a0That white is ground with safflower oil. \u00a0I've\u2026","rel":"","context":"In &quot;Paintings&quot;","block_context":{"text":"Paintings","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/paintings\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-16.png?fit=800%2C663&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-16.png?fit=800%2C663&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-16.png?fit=800%2C663&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-16.png?fit=800%2C663&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7231,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/07\/turpentine-diaries-73017\/","url_meta":{"origin":7470,"position":2},"title":"Turpentine diaries 7\/30\/17","author":"Tom Hudson","date":"July 30, 2017","format":false,"excerpt":"Sub Rosa, on the easel, is part of the Main Street series. \u00a0I've been using RGH's ultra-fine flake white regularly, which can be seen in the middle of the palette. \u00a0I like it. \u00a0Last week, I used the last of a tube of flake white from Blue Ridge, which is\u2026","rel":"","context":"In &quot;Main Street&quot;","block_context":{"text":"Main Street","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/main-street\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/07\/studio-2017-7-30.jpg?fit=800%2C729&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/07\/studio-2017-7-30.jpg?fit=800%2C729&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/07\/studio-2017-7-30.jpg?fit=800%2C729&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/07\/studio-2017-7-30.jpg?fit=800%2C729&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7325,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/09\/turpentine-diaries-92417\/","url_meta":{"origin":7470,"position":3},"title":"Turpentine diaries 9\/24\/17","author":"Tom Hudson","date":"September 24, 2017","format":false,"excerpt":"The unfinished painting The Press is 40\" x 50.\" \u00a0I've used RGH's walnut-ground flake white for a couple of weeks and I like it more and more. \u00a0It keeps its body even when thinned to the constancy of gouache, such as the white shirts in the painting. I plan to\u2026","rel":"","context":"In &quot;materials&quot;","block_context":{"text":"materials","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/materials\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-24.png?fit=800%2C1088&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-24.png?fit=800%2C1088&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-24.png?fit=800%2C1088&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/09\/studio-2017-9-24.png?fit=800%2C1088&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7131,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2017\/06\/turpentine-diaries-62517\/","url_meta":{"origin":7470,"position":4},"title":"Turpentine diaries 6\/25\/17","author":"Tom Hudson","date":"June 25, 2017","format":false,"excerpt":"The Girl in the Lavender Dress, another painting in the Playhouse Square series, is nearly finished and today's was only the sixth session, which is fast for me.\u00a0 You can see in the right background two canvases that I recently\u00a0prepared. \u00a0Both are 36\" x 48,\" which is the same size\u2026","rel":"","context":"In &quot;Cleveland&quot;","block_context":{"text":"Cleveland","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/cleveland\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-25.jpg?fit=800%2C565&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-25.jpg?fit=800%2C565&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-25.jpg?fit=800%2C565&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2017\/06\/studio-2017-6-25.jpg?fit=800%2C565&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8804,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2020\/05\/rgh-vs-utrecht\/","url_meta":{"origin":7470,"position":5},"title":"RGH vs Utrecht","author":"Tom Hudson","date":"May 17, 2020","format":false,"excerpt":"A reader asks wether I prefer Utrecht flake white or RGH's. To answer the question directly: I prefer Utrecht (barely). Utrecht covers better and has more body. To demonstrate this, I share a simple side-by-side comparison. (Note: I currently have some of RGH's extra fine white. The extra-fine paint is\u2026","rel":"","context":"In &quot;Grumpy review&quot;","block_context":{"text":"Grumpy review","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/grumpy-review\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/05\/rgh-vs-ut-2.png?fit=800%2C546&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/05\/rgh-vs-ut-2.png?fit=800%2C546&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/05\/rgh-vs-ut-2.png?fit=800%2C546&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2020\/05\/rgh-vs-ut-2.png?fit=800%2C546&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1Wu","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/7470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=7470"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/7470\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media\/7468"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=7470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=7470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=7470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}