{"id":96,"date":"2012-10-16T15:21:08","date_gmt":"2012-10-16T19:21:08","guid":{"rendered":"http:\/\/thomasparkerhudson.com\/wordpress\/?p=96"},"modified":"2013-07-02T15:28:17","modified_gmt":"2013-07-02T19:28:17","slug":"stephen-pentak-at-bonfoey","status":"publish","type":"post","link":"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/10\/stephen-pentak-at-bonfoey\/","title":{"rendered":"Stephen Pentak at Bonfoey"},"content":{"rendered":"<p>The Bonfoey Gallery (<a href=\"http:\/\/www.bonfoey.com\" target=\"_blank\" rel=\"noopener\">1700 Euclid Ave., Cleveland, OH<\/a>) is the kind of establishment I adore: it&#8217;s an art gallery in the business of showing real, contemporary artists. \u00a0Places like it are rare outside New York City, and I tip my hat to them. \u00a0I make a point of visiting every new show as well as browsing their permanent collection in the downstairs galleries.<\/p>\n<p>Their current show consists of landscapes by <a href=\"http:\/\/www.bonfoey.com\/Pentak.html\" target=\"_blank\" rel=\"noopener\">Stephen Pentak<\/a>, Professor Emeritus at Ohio State. Pentak displays a\u00a0lively\u00a0sense of nature in these autumnal\u00a0paintings. Although these are oils (on canvas, wood, and paper), they remind one of watercolors.<\/p>\n<p>Each\u00a0painting\u00a0shows a wooded scene with a lake or pond. \u00a0Landscape\u00a0elements are mirrored in the water and so the paintings all have a strong horizontal design. \u00a0The horizontal motif \u00a0is broken by bare,\u00a0vertical\u00a0trees, sometimes alone, sometimes two or three together. \u00a0Surfaces consist of large flat areas, which further emphasis the geometric &#8220;designieness.&#8221; \u00a0While surfaces are often broken by mottled textures in an attempt to relieve the bare geometry, the effect is lost, perhaps due to a uniform\u00a0neatness and primness. \u00a0So the\u00a0paintings\u00a0strongly emphasize the underlying geometry.<\/p>\n<p>Artists should resist giving in to thoroughgoing formalism, in my humble opinion. \u00a0Discovering and resisting geometries is part of the drama and tension of compelling works. \u00a0In the works or <a href=\"http:\/\/en.wikipedia.org\/wiki\/John_Sell_Cotman\" target=\"_blank\" rel=\"noopener\">John Sell Cotman<\/a>, for example, discovering underlying geometries is a true delight. \u00a0But if an artist\u00a0emphasizes\u00a0the formal, their work suffers unless they tease with it like Cotman, or rage war against it\u2014someone like, say, my old teacher at Brooklyn College <a href=\"http:\/\/en.wikipedia.org\/wiki\/Philip_Pearlstein\" target=\"_blank\" rel=\"noopener\">Philip Pearlstein<\/a>.<\/p>\n<p>While these paintings are not my cup of tea, they are lively and honest\u2014an important consideration. \u00a0I am sure there are those who will find their strong formalism delightful and subtle. \u00a0Unfortunately,\u00a0for me these paintings lack drama\u2014another important consideration.<\/p>\n<p>At any rate, be sure to explore the gallery&#8217;s\u00a0downstairs\u00a0rooms after viewing the main exhibition. \u00a0Oil paintings are in the $6,000\u2013$8,000 range, if memory serves.<\/p>\n<h4>Update 7\/2\/2013<\/h4>\n<p>Stephen Pentak has responded by email to my review of his exhibition. Mr. Pentak has generously agreed to let me post the correspondence.<\/p>\n<p>S. Pentak wrote:<\/p>\n<p><em>I just stumbled upon your review of one of my shows at Bonfoey and I want to commend you on the thoughtful approach to the paintings. You were spot on in your observations, and in all honesty I&#8217;d rather have a doubtful review that is really observant than a skim coat that only addresses the apparent subject of the landscape.\u00a0 <\/em>6\/28\/2013<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>I responded 6\/30\/2013<\/p>\n<p><em>Dear Stephen, <\/em><br \/>\n<em>Thank you for your warm note. <\/em><\/p>\n<p><em>As a blogger, I do not have to worry about grumpy editors or deadlines, other than self-imposed ones. I have the luxury of reviewing only those shows that interest and grab me. I visited your show several times.<\/em><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Mr. Pentak wrote:<\/p>\n<p><em>Tom, You might be interested to know that the rather strong geometry comes from the marks of the tools&#8230; Broad blades and brushes&#8230; As well as the inherent geometry of the rectangles. This harkens back to my earliest work in grad school which was influenced by Stella&#8217; Black Paintings and even Steve Reich compositions. Through my years as a painter I have continued to carry on a conversation between construction and depiction. Sometimes it is an internal argument.<\/em>\u00a0 6\/30\/2013<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Bonfoey Gallery (1700 Euclid Ave., Cleveland, OH) is the kind of establishment I adore: it&#8217;s an art gallery in the business of showing real, contemporary artists. \u00a0Places like it are rare outside New York City, and I tip my hat to them. \u00a0I make a point of visiting every new show as well as [&hellip;]<\/p>\n","protected":false},"author":61,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5,76,46],"tags":[21,23,22],"class_list":["post-96","post","type-post","status-publish","format-standard","hentry","category-artists","category-galleries","category-reviews","tag-art-review-2","tag-bonfoey-gallery","tag-pentak"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1850,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/05\/gary-bukovnik-forever-spring-at-bonfoey-gallery\/","url_meta":{"origin":96,"position":0},"title":"Gary Bukovnik: Forever Spring at Bonfoey Gallery","author":"Tom Hudson","date":"May 11, 2013","format":false,"excerpt":"Yesterday, my son, John-Parker, was incredulous when I told him I\u00a0didn't\u00a0have a favorite among my paintings. \u201cBeing an artist,\u201d I told him, \u201cis similar to being a musician. Sometimes I\u2019m the composer and the theme is very important. Other times I am the performer and don\u2019t care about the subject\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/artists\/"},"img":{"alt_text":"Bukovnik Watercolor","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/05\/orange-flowers.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2157,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/07\/review-joseph-osickey-at-bonfoey-gallery\/","url_meta":{"origin":96,"position":1},"title":"Review: Joseph O&#8217;Sickey at Bonfoey Gallery","author":"Tom Hudson","date":"July 16, 2013","format":false,"excerpt":"Just now there is a lot of news and information about O'Sickey. The Canton Museum of Art is hosting an exhibition of his work through July 21, and the Bonfoey Gallery's exhibition runs through the 13th. The Bonfoey exhibition--Travels: Provence and Maine--consists of an outstanding collection of large works that\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/artists\/"},"img":{"alt_text":"osickey1","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/06\/osickey1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2786,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/11\/phooey-on-bonfoey\/","url_meta":{"origin":96,"position":2},"title":"Phooey on Bonfoey!","author":"Tom Hudson","date":"November 15, 2013","format":"aside","excerpt":"Bonfoey keeps its door locked so visitors have to wait to be buzzed into the gallery. Yesterday, for the third time, I was prevented from entering the gallery because nobody buzzed me in. THIRD TIME. Were they all at lunch? Were they all at a party? My time is precious,\u2026","rel":"","context":"In &quot;Cleveland&quot;","block_context":{"text":"Cleveland","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/cleveland\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2270,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/07\/stephen-pentak-responds-to-review\/","url_meta":{"origin":96,"position":3},"title":"Stephen Pentak Responds to Review","author":"Tom Hudson","date":"July 2, 2013","format":false,"excerpt":"Stephen Pentak has responded by email to my review of his exhibition at the Bonfoey Gallery last fall.\u00a0 Because my readers might be interested in the exchange, Mr. Pentak has generously agreed to let me post the correspondence. I have appended the emails to the original review.","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/artists\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":832,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2013\/01\/carl-gaertner\/","url_meta":{"origin":96,"position":4},"title":"Carl Gaertner","author":"Tom Hudson","date":"January 21, 2013","format":false,"excerpt":"Yesterday was a lucky day--I discovered an artist new to me: Carl Gaertner\u00a0(1898-1952). \u00a0Gaertner's reputation is almost entirely local \u00a0to Cleveland, as \u00a0Robert Smith's is confined to\u00a0Dayton. Gaertner was born in Cleveland and lived in and around there until his death. \u00a0He taught for many years at the Cleveland Institute\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/artists\/"},"img":{"alt_text":"Gaertner: oil","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/01\/gaertner-winter.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/01\/gaertner-winter.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2013\/01\/gaertner-winter.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":364,"url":"https:\/\/thomasparkerhudson.com\/wordpress\/2012\/11\/george-mauersberger-at-bonfoey\/","url_meta":{"origin":96,"position":5},"title":"George Mauersberger at Bonfoey","author":"Tom Hudson","date":"November 21, 2012","format":false,"excerpt":"I walked into the George Mauersberger\u00a0exhibit at Bonfoey\u00a0expecting to see a passel of prints.\u00a0 Nope.\u00a0 While a few prints are on display, drawings and watercolors make up the lion\u2019s share of the show. \u00a0Even so, Mauersberger has a printmaker\u2019s personality\u2014a love of process and fondness for drawing. Most of the\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/thomasparkerhudson.com\/wordpress\/category\/artists\/"},"img":{"alt_text":"Work by George Mauersberger","src":"https:\/\/i0.wp.com\/thomasparkerhudson.com\/wordpress\/wp-content\/uploads\/2012\/11\/maus3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p2Gw6F-1y","_links":{"self":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/96","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=96"}],"version-history":[{"count":0,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/posts\/96\/revisions"}],"wp:attachment":[{"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=96"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=96"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thomasparkerhudson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}