
In the studio 8/17/14
This painting has occupied me for the past three days. The 42″ x 56″ oil is from an a batch I started this spring. The red gown provides a satisfying challenge. As usual, drawing is the key. The light was poor this morning. Normally, when that is the case, I draw until the light improves.

In the studio 8/10/2014
This is a painting I’ve been working on for several days. The 44″ x 60″ oil titled The News is part of a new series that all share the same size. I’ve been stretching canvases and working on drawings for some time now. The News is the first of the series that I’ve actually applied paint

In the studio 6/22/2014
Besides finishing The Call, I recently worked on the paintings in this photo. Today’s session was the second painting session for the one on the right, Heated Discussion (the drawing took several sessions). The painting in the upper-left, Explain (or maybe just Plain–I haven’t decided) is almost done. I am hoping that one more session will

In the studio 6/15/2104
After getting back from my short trip to New York city last night, I was back in the studio at 5:00 A.M. I couldn’t wait to get back to work. Graduation Day is still in the under-painting stage. This morning I worked on the girl in the foreground, the right-hand background, and the woman in

Correcting painting surfaces that are too slick
You know when your paint surface gets too slick and oil starts to bead? There are several remedies. Rubbing an onion over the surface works but has issues–obviously. A better method is to use denatured alcohol. A light application over the surface cures this problem instantly. Make sure to not overdo it. Too much alcohol

On the easel 5/11/14
Mother’s Day. The weather is perfect. We worked on the boat–The Betty Jane–yesterday and today. Painting was light this morning but I did get a session in with The Call. First time I’ve worked on it in a little while. I used the last of my old roll of canvas stretching three large ones yesterday. Earlier this

Studio mess
As this photograph demonstrates, I need more studio space. Not shown are the larger–5′ x 6′– paintings that are precariously stacked on one another. My separate storage area is overflowing with even larger paintings, like Black Lake (72″ x 96″), and other large, primed canvases ready to be worked. We are planning to buy a property

In the studio 3/9/2014
Here is some recent work. Saturday was a light work day because of family functions. The top painting is titled “Explain,” and I think it’s far enough along now that you can get a sense of what it’s about. The lower painting–“Jane With Her Hand on Her Hip”–is of, well, Jane (It’s also about blue,
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