In the studio 3/6/16
The Break is 40″ x 50″. I stretched a lot of 40″ x 50″ canvases last year and The Break is one of them. Some of the background is done, but…
In the studio 2/21/16
Several busy days in the studio. I worked on 10-12 paintings over the past few days, including Sunday Parade. Sunday Parade is finally locked into a good place (even though I…
I missed London’s National Gallery’s exhibit, Goya: The Portraits
I have always liked Goya. During my printmaking period, Goya’s prints were constantly before my mind. The highlight of my visit to New York’s Metropolitan last year was a Goya painting. This fall I hoped to attend London’s National…
In the studio 11/1/15
The ground on this painting, Three Women (VW Bug), is wonderful. It’s a traditional oil ground applied over acrylic gesso. A traditional oil ground is essentially white oil paint with the addition…
The Stendhal Syndrome
I am familiar with the great French author Stendhal’s novels–The Red and the Black, and The Charterhouse of Parma–having read them some years ago, but until I read an article in the…
God Hates Renoir
I had to laugh when I read this article in the Independent. The story is about the group calling themselves Renoir Sucks protesting in front of Boston’s Museum of Fine Arts. Renoir…
In the studio 7/11/15
I finished Dinner in Trenton this morning. Today’s session was the 20th. Dinner in Trenton is 40″ x 56.” The ground was a little flat; I found myself fighting against…
How Art Became Irrelevant
Michael J. Lewis‘ long piece in Commentary titled, How Art Became Irrelevant, is a tour de force of cultural analysis. In his well-written and long article (did I mention it…