Category: materials

Painting flesh

People find painting people and portraits difficult. Even artists who can paint complicated landscapes without too much difficulty stumble when they attempt people. Why? Part of the answer is the uncanny valley. The uncanny valley refers to the mechanisms people have for recognizing other humans. It turns out that these complicated mechanisms are difficult to…

New paint order from Blue Ridge

The more I use Blue Ridge oils, the more I like them. I continue to use their flake white, of course, but I’m enjoying their entire lineup. My recent small order contains colors I use all the time, cerulean blue and permanent crimson, and others I’m testing–terra rosa and cobalt teal. Earth colors like terra…

Leaded oil completed

I began my latest batch of leaded linseed oil on July 27, 2021–38 days ago. I protected the oil from debris with a cover. I gently rocked the tray periodically to prevent surface skin.  When I checked the oil today, it was thick and sluggish which means it’s ready to decant and store. Forgetting to…

White Balloon 2nd session

Last time I wrote about getting my painting titled White Balloon ready–the preparatory drawing and the first painting session. I am carrying the painting forward with this update. Here is White Balloon after my second painting session. You can better see the painting’s bones in this photo. It’s going to take time to put flesh…

Get the lead out

OK, the title of this post is a bit of misdirection. I mean to say ‘get the lead in.’  Quick-drying oil is very important for oil painting. Not only do quick-drying oils enable artists to finish paintings quickly, drying oils improve the way paint handles. It gives artists more control over the paint–an altogether good…

Death of a brush

Serves me right. After I bragged about how rugged the Old Holland sable oil brushes are, this brush died, as you can see. It lost too many fibers and lost its usefulness. It lasted longer than most comparable oil sables, however, so I’ll buy more of them. In defense of Old Holland, oil kills sables…

Blue Ridge’s cremintz white

The brands I use most often for the all-import flake white are RGH, Blue Ridge, and Utrecht. I crossed Utrecht off the list after discovering that they’ve added zinc to their Flemish white. I don’t buy the premier brands–Blockx, and Old Holland–anymore because the small manufacturers provide excellent paint at reasonable prices. Blockx is $92…

New paintings

The painting on the floor, Arts Guild, is my newest painting. I’ve worked on it steadily this week. The underpainting is done and I started the first overpainting yesterday. It’s 40″ x 54.” Arts Guild is still a baby and has a long way to go before it grows up. On the left-hand canvas, I…