Category: How to

Good paper for large drawings

Arches make good paper. My roll of hot-pressed watercolor paper is very good for large-format drawing too. My roll of 356gsm is 51 inches wide by 10 yards long. My 30″ x 40″ drawing like the one in the photo barely puts a dent in my paper roll. For smaller drawings, I stick to the…

Premixing tones

Artists spend a lot of time thinking about their palettes; how many colors, which colors, how big, and so forth. My palette is too large to hold in my hand so I keep it on a cart next to the easel. The palette has to be big enough to contain my color assortment and premixed…

Another one underway

As I’ve done several times, I intend to document the birth of a painting. The last time, I shared just the early stages of a painting. That’s my plan this time too. 2-3 posts that detail the painting’s early progress. All budding artists are interested in how artists start paintings. Here is Liberty Avenue after…

Another canvas ready

I applied the second and last oil ground to this new 44″ x 60″ canvas. I made the tone by adding a little burnt umber and burnt sienna to the Williamsburg lead-oil ground. I applied the ground with a scrapper as usual. After letting it cure for a few weeks, I’ll prepare a drawing for…

Painting flesh

Artists find painting people and portraits difficult. Even artists who can paint complicated landscapes without too much difficulty stumble when they attempt people. Why? Part of the answer is the uncanny valley. The uncanny valley refers to the mechanisms people have for recognizing other humans. It turns out that these complicated mechanisms are difficult to…