I always try to be as efficient as possible with my paintings. But I’m also cheap. The combination of efficiency and cheapness has frequently caused me headaches. Instead of saving time and money, I’ve wasted both in my often wrong-footed efforts to save money. I prefer smooth painting surfaces but instead of buying the ultra-smooth…
Everyone knows how to start a painting, right? You take up your brush and begin–what’s the problem? Joking aside, if you want to create a sketch or study, that IS exactly how you start. That approach is fine until you want to create something more ambitious. If you intend to create a piece that’s large,…
Art students frequently struggle over how to start a painting. Once started poorly, a painting is hard to correct. I’ve shared the starting stages of several of my paintings for art students struggling with starting a painting. I expected my previous post about the progress of my new painting, Liberty Avenue, to be the final…
Artists find painting people and portraits difficult. Even artists who can paint complicated landscapes without too much difficulty stumble when they attempt people. Why? Part of the answer is the uncanny valley. The uncanny valley refers to the mechanisms people have for recognizing other humans. It turns out that these complicated mechanisms are difficult to…
I began my latest batch of leaded linseed oil on July 27, 2021–38 days ago. I protected the oil from debris with a cover. I gently rocked the tray periodically to prevent surface skin. When I checked the oil today, it was thick and sluggish which means it’s ready to decant and store. Forgetting to…
I explain why I banished Old Holland from my palette in this post. Even though I rate Old Holland’s oil paint the best in my Oil Paint Reference, their prices are so absurdly high that I refuse to use them. Besides, there is plenty of reasonably-priced vendors out there, such as RGH and Blue Ridge.…
Rereading what I wrote about preparing a canvas, I realized that I didn’t emphasize the main goal enough. Yes, it’s important to protect the canvas, but the real goal is to make a great surface. The best surface is smooth. How smooth? If you’ve done lithography, then you know how wonderful litho stones are for…
My Utrecht easel has served me well. True, it’s held together with glue and clamps, but it still handles the large-size paintings that I make. One thing the easel lacks is a place to rest a palette, even a small one. I keep my normal palette on a mobile cabinet that I wheel around as…