Turpentine diaries 10/7/18
Small paintings (this painting is 30″ x 40″) always take longer than I expect. Starting, I intend to keep it simple, but I’m always discovering more things to explore or…
Small paintings (this painting is 30″ x 40″) always take longer than I expect. Starting, I intend to keep it simple, but I’m always discovering more things to explore or…
At the Whitney Biennal last spring, protestors made headlines when they demanded that the museum destroy an artwork they found offensive. The protesters didn’t want the painting removed from the…
To some, my studio might look like a jumbled mess, but to me, it looks ordered and purposeful. I have three easels. I use the third one, the one not shown,…
I worked on The Picnic and nothing else for the past few days. The Picnic has a painting surface that is difficult. This doesn’t happen often anymore but it’s annoying…
I use several products manufactured by James Groves. Jim specializes in historical painting mediums and ingredients. I’ve tried almost all of his products and they are unfailingly excellent–world class. I use…
I made progress on Euclid Avenue I this morning. Progress on the 48″ x 60″ painting has been slow at times. This canvas is from a stock of ‘professional grade’ canvases I bought some…
I have always liked Goya. During my printmaking period, Goya’s prints were constantly before my mind. The highlight of my visit to New York’s Metropolitan last year was a Goya painting. This fall I hoped to attend London’s National…
Most of modern arts journalism is marketing. One infrequently encounters critical journalism these days. A recent article in Canadian journal The Walrus is pretty typical. The piece, A Portrait of the…