~ ~ Thomas Hudson studio journal ~ ~
Yesterday, my son, John-Parker, was incredulous when I told him I didn't have a favorite among my paintings. “Being an artist,” I told him, “is similar to being a musician. Sometimes I’m the composer and the theme…
John Singer Sargent and William-Adolphe Bouguereau are not normally considered together, yet their careers overlapped for several decades. In the ‘Undergrad’s Giant Book of Art History’ Sargent is counted among the progressives, while Bouguereau is thrown…
I was going to title this post ‘negative reviews’ referring to non-reviews—shows I’ve visited that did not speak to me, and so no reviews were forthcoming. Silence as a review, so to speak. But, of…
I enjoy student shows and attend them whenever I've a chance. While most student shows are filled with, well, student-grade work, I almost always find a gem or two. So I wasn't disappointed when the bill of fare for…
Jason Milburn, who has maintained a studio in NE Ohio since graduating from the Cleveland Art Institute 10 years ago, is showing a passel of large drawings at the William Busta Gallery. The cartoon-inspired ink drawings are…
Oz the Great and Powerful, which is in theaters now, is a modern prequel to the original Wizard of Oz by Frank Baum. The original book, published in 1900, was the first of what turned…
I have nothing against Thomas Lawrence, indeed, I like his work, but—good grief!—he could make some annoying paintings. The Cleveland Museum of Art has two of the offending paintings hanging side-by-side. Lawrence (died 1830) had…
In her show, Perennial Shift, at the William Busta Gallery, Julie Friedman exhibits a print maker's love of process. Initially, the pieces (a useful generic term) reminded me of the silhouettes you can have made at Coney Island or Cedar Point. Like those…
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