Review: Eyewitness Views
The Cleveland Museums of Art's Eyewitness Views: Making History in Eighteenth-Century Europe is the best show I've seen at the museum since I started my near-weekly visits six years ago. As good as the show…
~ ~ Thomas Hudson studio journal ~ ~
The Cleveland Museums of Art's Eyewitness Views: Making History in Eighteenth-Century Europe is the best show I've seen at the museum since I started my near-weekly visits six years ago. As good as the show…
At the Whitney Biennal last spring, protestors made headlines when they demanded that the museum destroy an artwork they found offensive. The protesters didn't want the painting removed from the Biennial, they wanted it destroyed. The painting…
Terrible photo but it's dark and I'm tired so it will have to do. Man With a Baby Carriage is in the final stage--the fun stage. If the drawing is strong, it will take you…
I've always approached painting as a process of carving away and revealing, the way I imagine a sculptor approaches sculpting. Not modeling but carving. I bring this up because this unfinished painting, Sub Rosa, is a pretty good…
I've nearly finished the underpainting of Man Pushing a Baby Carriage. I showed the initial drawing for this painting in a recent post. By underpainting, I mean the first sessions during which I start…
I made progress on Euclid Avenue I this morning. Progress on the 48" x 60" painting has been slow at times. This canvas is from a stock of 'professional grade' canvases I bought some time back. The surfaces on…
The Break is 40" x 50". I stretched a lot of 40" x 50" canvases last year and The Break is one of them. Some of the background is done, but the painting still has a…
Several busy days in the studio. I worked on 10-12 paintings over the past few days, including Sunday Parade. Sunday Parade is finally locked into a good place (even though I still haven't settled on its…
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