Turpentine diaries 8/18/18
I am keeping everything simple and direct with The Woman in the Red Pants. Overworking can be death to a painting. On the other hand, I have a horror of…
Turpentine journal 8/13/18
Here is my first session with Keep Talking. Today, I just threw paint onto the canvas without worrying overmuch about details, although I was–as always–careful to preserve the drawing. It’s…
Turpentine diaries 7/22/18
I used my homemade drying oil in recent sessions with Down on Prospect Avenue. I substitute the oil for black oil in my medium recipe. Large paintings (Down on Prospect…
Review: Eyewitness Views
The Cleveland Museums of Art’s Eyewitness Views: Making History in Eighteenth-Century Europe is the best show I’ve seen at the museum since I started my near-weekly visits six years ago. …
Turpentine diaries 4/15/18
Last week, I saw one of the better shows that I’ve seen in Cleveland. Global Matrix IV at the Gallery at Cleveland State U contains first-rate prints from contemporary European…
Turpentine diaries 3/18/18
I had a lot of trouble this morning with the painting on the floor, Down on Prospect Avenue. Why? Who knows? If I could see, I might be able to…
Turpentine diaries 2/25/18
I finished Three Women in Sandals (I know, I know–a lame name. Three Women in Sandals is another painting in my Playhouse Square series. It’s 44″ x 60.” By now, I’ve created…
Turpentine diaries 1/28/18
I’ve written several times about the oil paint manufacturer RGH. No, I don’t have a relationship with them, it’s just that I use their product a lot. Their flake white…