Yesterday I noticed that I haven’t updated my galleries for a while. So, I added two paintings that I finished last year. Here is one of them, Woman in Black-stripped Dress: Woman in Black-stripped Dress is 40″ x 54.” While working on the gallery, I noticed that the gallery plug-in, NextGen, wasn’t working properly; the…
Category: Studio Corner
Paintings, Shop Talk, Studio Corner
Liberty Avenue progress
by
•Paintings, Shop Talk, Studio Corner
White Balloon 3rd session
by
•By my 3rd session with the painting titled White Balloon, I finally have the entire surface covered with paint. One issue large paintings present (White Balloon is 40″ x 54″) that is not encountered on small canvases is coordination. It’s too easy to work out the details in an area only to discover the area…
Drawings, materials, Paintings, Studio Corner
White Balloon 2nd session
by
•Last time I wrote about getting my painting titled White Balloon ready–the preparatory drawing and the first painting session. I am carrying the painting forward with this update. Here is White Balloon after my second painting session. You can better see the painting’s bones in this photo. It’s going to take time to put flesh…
aesthetics, Paintings, Shop Talk, Studio Corner, Turpentine diaries
It’s all been done before
by
•Yesterday, I determined to finish Woman in White-stripped Dress. Even though I failed, I was excited to get back at it again today. This afternoon, I ran out of gas before finishing it. Oh well. Sometimes I can force myself to continue after I’m gassed but there is a chance I’ll spoil the work when…
materials, Paintings, Shop Talk, Studio Corner
New paintings
by
•materials, Shop Talk, Studio Corner, Uncategorized
Sable brushes
by
•Sable brushes are the best. There’s no debate about this. Sure, there are some use cases where the benefits of sable are irrelevant. The fine control provided by sables is lost on large-format oil paintings, for example. So on large paintings, why go to the expense? And–oh boy!–sable brushes are expensive. I paid $60+ over…
How to, materials, Studio Corner, Uncategorized
Commercial canvas
by
•I spend a lot of time preparing canvases–stretching, priming, and grounding. The process works well for me but it’s time-consuming. I would gladly buy commercially-prepared canvas but my experience with it has been bad. In the past, I’ve paid premium prices for inferior products. The art supply market is filled with hucksters and amateurs. Knowing…