Fat over lean
So you’ve embraced the two related studio aphorisms I discussed in this recent post: fat over lean, and make the lights thick but keep the darks thin. In practical terms…
So you’ve embraced the two related studio aphorisms I discussed in this recent post: fat over lean, and make the lights thick but keep the darks thin. In practical terms…
Art is filled with aphorisms. Fat over lean, for instance, is a famous adage. The meaning for this old saw that is the most straightforward is to paint thickly-applied paint…
I wrote before about the drying linseed oil I prepared. I decided to continue my investigations by preparing some drying walnut oil, the results of which you can see in…
Many artists have trouble determining when a painting is finished. It can be excruciatingly painful to let a painting go, especially after you worked on it for a long time.…
The crude container that I made with a lead sheet contains 16 oz. of cold-pressed walnut oil. I’ll leave the oil in the container for several months before straining it…
The Woman in Red Pants is not over-large so I finished the underpainting, shown here, in 2 sessions. The Woman in Red Pants is 36″ x 48.” Read moreCleveland Museum…
This is a companion to my canvas stretching post. After you stretch a perfectly taut and square canvas, you’re ready to prepare the surface. Read moreIn the Studio Oct. 14…
While it’s true that I didn’t learn anything about painting at art school, it isn’t true that I didn’t learn anything at all. I learned a lot about printmaking, and…