Turpentine diaries 5/19/18
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44″ x 60″), I use hog bristle brushes for most of the work. …
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44″ x 60″), I use hog bristle brushes for most of the work. …
This photo shows Crossing after my 4th session. Nothing is close to being finished except the blue of the sky, ultramarine blue + cobalt blue + flake white. Read moreCleveland Museum…
I thought it would be fun to compare Agamemnon and Orestes after the second day to the first day–bottom photo. After the second day, the underpainting is finished. The underpainting…
This photo shows my first painting session with Agamemnon and Orestes. I know, I know, a bit high falutin but I am reading Aeschylus’s Eumenides. Agamemnon and Orestes is 44″…
I hoped to finish the underpainting on Crossing but, as you can see in the accompanying photo, I ran out of gas. The initial stage for a painting of this…
Last week, I saw one of the better shows that I’ve seen in Cleveland. Global Matrix IV at the Gallery at Cleveland State U contains first-rate prints from contemporary European…
I worked on the two paintings in the center of this photo today. Today’s session with Girl with a Maroon Colored Cap was the second one. Phone Call on Main…
This is a photo of two paintings I started today. That is, I started applying paint to the canvases today; drawing started several days ago. So, this shows the underpainting…