Turpentine diaries 10/22/17
To some, my studio might look like a jumbled mess, but to me, it looks ordered and purposeful. I have three easels. I use the third one, the one not shown,…
To some, my studio might look like a jumbled mess, but to me, it looks ordered and purposeful. I have three easels. I use the third one, the one not shown,…
The unfinished painting The Press is 40″ x 50.” I’ve used RGH’s walnut-ground flake white for a couple of weeks and I like it more and more. It keeps its…
RGH has the best deal for the all-important flake white. Their cremnitz white extra fine is $46.25 for a 250 ml jar. By comparison, a 237 ml jar of Williamsburg’s flake…
Sub Rosa, on the easel, is part of the Main Street series. I’ve been using RGH’s ultra-fine flake white regularly, which can be seen in the middle of the palette.…
I used RGH’s extra-fine flake white and viridian green in today’s sessions. RGH sells both paints in jars, which I don’t like. But both jars have remained fresh. I’ve had the…
After spending the morning drawing, I fully intended to finish Euclid Avenue #1, which I wrote about in the previous Studio journal post, and you can see it in the background of…
Goodbye, Old Holland, I’m done with you. In my Oil Paint Brand Reference, I rated the Old Holland (OH) brand as top; best in breed among high-end brands. Its dense pigmentation…
I worked on these two paintings today before my daughter and I went to the marina to work on The Betty Jane. The left-hand painting, The Delegate, is sailing along, to use…