Busy palette
I prepared today's medium and took yesterday's palette out of the butcher's tray where I store it. (The rectangular palette is my workaday palette; I only use the traditional oval one to mix certain tones.) I…
Tag: painting material
Synthetic brushes
I wrote about my antipathy toward synthetic brushes. This photo illustrates the point I made in the linked post. The four synthetic brushes on the left are old and misshapen. In my experience, synthetics quickly lose their…
In the studio 12/6/15
I spent most of my time recently working on new paintings that are still too raw to show. I am also working on a new cycle of pieces that are still in the drawing stage. I…
In the studio 11/1/15
The ground on this painting, Three Women (VW Bug), is wonderful. It's a traditional oil ground applied over acrylic gesso. A traditional oil ground is essentially white oil paint with the addition of chalk. The chalk makes…
Transferring designs to canvas–update
I've written before about the various methods used to transfer designs to canvas or other surfaces. There are three ways to do it: projector, grid, or cartoon. Typically, I use grids. Grids can handle any scale and I like…
Old painting medium revisited
I've written before about my oil medium. I wasn't exaggerating when I wrote that my medium, one I've used for years, is the result of many, many trials. I haven't used every possible medium, of course,…
In the studio 9/28/15
The Girl in the Purple Boots is 40" x 50." I enjoy the size so much, I prepared 6 additional canvases of the same size. One is in the drawing stage and another is in the…
In the studio 9/27/15
This small painting (20" x 24") is on a canvas board I prepared with traditional gesso (just whiting and glue). I like traditional gesso a lot. It's smooth and slightly absorbent. Unfortunately, it's too fragile…