In the studio 6/26/16
My journey with Picnic is meandering. Originally, there were a lot of figures in the background. Then, deciding that was too distracting, I took out many of them. That’s when the painting stalled. Eventually, I realized that the mass of background figures is what attracted me to the subject. So I put back the painted-over
In the studio 6/22/16
Sometimes I have to sneak up on a painting. It took me awhile to identify what was bugging me about Break Time. The background behind the right-hand figure didn’t please me, so I corrected it today. In the process, I painted over part of the figure’s hair, which is OK because the hair wasn’t finished
In the studio 6/19/16
I am into the overpainting phase with Parade. although the surface is still very matte. No part is exactly done. Yesterday’s morning session went poorly. I couldn’t see. It happens. Sometimes when I take up a painting that I struggled with previously, the solution is obvious. How could I have missed it? When artists talk
In the studio 6/12/16
I went to our Main Street three separate times to take photographs for this composition. I won’t bore you with why it took three trips. I finally got photos I can use and cobbled together several for the design for this new oil, Woman Listening to a Phone on Main Street. I’ll probably change the title.
In the studio 6/4/16
Main Street #1 is another painting based on Vermilion’s Main St. I already finished Main Street #2 even though I started it after #1. I plan several more paintings around the same theme. I’m still not satisfied with parts of it so until I am, I’ll keep at it.
In the studio 5/27/16
These small still lifes are based on photos I took during a trip to Colorado with my son, Garth. I started both of them the same morning, the upper one first. The larger one is 24″ x 30″. The small format is unusual for me these days. I’ve stuck with large-size paintings for a long time
In the studio 5/22/16
This painting, Two Women at Playhouse Square is 30″ x 36.” As the name implies, it’s part of my Playhouse Square series. I did the smaller study in neutral grays earlier this year. The painting is still rough, but you can see its bones. Sculpture and other architectural touches fill the area around Cleveland’s Playhouse Square,
In the studio 5/15/16
I have a lot of small canvases ready to go. By small I mean in the 24′ x 30′ range. Recently, I started painting landscapes on three of them. You can see the beginning of one in the background sitting on the wastepaper basket. Yesterday I worked on the landscape seen out the window in Grandfather and had