Glowing lights
I have several themes in mind for today’s post. One theme is about varnish–intermediate varnish. An intermediate varnish is used to seal the surface and prevent subsequent paint layers from sinking into the earlier layers. This “sinking in” robs the colors of their light and life. Since I paint in layers, I use intermediate varnishes
Wrong again?
A reader said he tried sun-thickened oil on my recommendation but it didn’t demonstrate the handling quality that I’d claimed for it. Sun-thickened oil has the happy quality of maintaining body even when thinned, or so I claimed. My correspondent said his paint was rather more transparent than usual; he’d expected the opposite. First, as
Turpentine diaries 1/6/2019
This morning I finished the first painting of 2019, Along 4th Street. Today’s session was the 14th with this painting, which is par for a painting of this size, 40″x 50.” I used my normal medium throughout except for some of the lights, such as the those in the large orange bag. I added a
Wonderful sun-thickened oil
I’ve written about my everyday-medium plenty of times. I frequently modify my medium for certain situations. Sometimes, for example, I add a little Venice turpentine to the regular turpentine I use in my medium. I add a very small amount of the sticky Venice turpentine to the medium. Other times, I add a small amount of sun-thickened
Turpentine diaries 10/22/17
To some, my studio might look like a jumbled mess, but to me, it looks ordered and purposeful. I have three easels. I use the third one, the one not shown, for drawings. I expanded my palette from my habitual dozen colors to what you see now on my home-made palette. Just because I no longer count