In the studio
After working on paintings with a lot of figures in them, working on The Photographer's single figure is refreshing. I don't actually know the woman in this painting, which is based on one of many…
~ ~ Thomas Hudson studio journal ~ ~
After working on paintings with a lot of figures in them, working on The Photographer's single figure is refreshing. I don't actually know the woman in this painting, which is based on one of many…
Aboard the Betty Jane is another of the 48" x 60" canvases I recently wrote about. This painting is based on some photos taken during a fishing trip abroad my boat. The Betty Jane is…
I made progress on Euclid Avenue I this morning. Progress on the 48" x 60" painting has been slow at times. This canvas is from a stock of 'professional grade' canvases I bought some time back. The surfaces on…
I've been working on paintings that take a lot of time recently, such as the lower one in this photo. The drawing in the bottom painting was done with pencil and then fixed with ink.…
The Break is 40" x 50". I stretched a lot of 40" x 50" canvases last year and The Break is one of them. Some of the background is done, but the painting still has a…
With over 30 figures in its 44" x 60" space, Picnic wants to careen into confusion. Which I do not want, so we argue. The central figure, by turning her back to us, adds her…
Several busy days in the studio. I worked on 10-12 paintings over the past few days, including Sunday Parade. Sunday Parade is finally locked into a good place (even though I still haven't settled on its…
On the Square is part of my Playhouse Square series--a series of paintings with subjects taken from Cleveland's Playhouse Square. At 4' by 5', On the Square is at the outer limit for an easel painting. Any larger…
Copy Right Text | Design & develop by AmpleThemes