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Tom Hudson

I’ve whined before about the jars RGH uses for its paint. They’re useless–worse than useless. They don’t seal properly so unless you use the paint straightaway, it’s wasted. I lost one half of a 250ml jar this way. Even spraying water over the paint failed to preserve it.

The jars nullify an otherwise brilliant strategy. RGH offers the all-import lead white in a variety of sizes and binders. As far as I know, RGH is the only supplier that allows customers to select the binder–cold-press linseed, walnut, refined linseed, and others. Their prices are good too. But the jars make it moot and transform an instant buy into an avoid.

I notice that RGH now offers a 125ml tube of white, but the tube is priced at the same price as a 250ml jar! At this price, the tubbed white is not a bargin.

Mountain Retreat

Clouds Visiting a Mountain Retreat, 1633, T. Hong

The beautiful painting Clouds Visiting a Mountain Retreat is currently on view at the Cleveland Art Museum. The museum regularly rotates its vast Asian collection, and new works (new to me) are frequently to be found. The cloud-swathed mountain dominates the landscape; the travellers in the lower-left are easily overlooked. It’s early morning or early…

Purge

Winter time; bitter, bitter cold. More snow this morning. I’ve written before about the benefits of working on a lot of paintings simultaneously. Working this way allows paint layers to dry thoroughly. Painting over a layer too soon leads to bad problems (to use a technical term), such as cracking and sinking in. Working this way…

In the studio 2/18/15

The under-painting is done on The Photographer. All color areas are close to their planned final tone. Having said that, no part of the painting is finished; with the figure being the least finished. I’m happy with the stool and the hat. This 36″ x 48″ painting is thematically close to the similarly-sized The Explainer, which was…

Oil brush update 1/30/15

I’ve bought brushes marketed as ‘Russian-made sables’ at different times and from different vendors. The actual manufacturer is obscure. Their only identifying marking is the distinctive logo, which you can see in the accompanying photo. In addition to the logo, the brushes have long, mahogany handles. They are excellent brushes for oil (I’ve never used…

In the studio 1/25/2105

Main Street #1, or ‘The Antique Shop,’ is on the easel in this photograph. I had a couple of good, long sessions on it today. I’m having fun painting the bric-a-brac in the shop window. Vermilion is a lake-front town (biggest concentration of small-boat marinas on the Great Lakes) and many shops have a nautical…

Oil brush reference

I wrote about oil brushes before and it’s a good topic to expand. This post is a companion to my Oil Paint Brand reference and, like that post, I’ll update this one as I get new material. When I started out, my sole criteria for buying brushes was price. Like most in my position, I told myself that it didn’t matter that I…