Finished? Not finished? Finished? Not finished?
Many artists have trouble determining when a painting is finished. It can be excruciatingly painful to let a painting go, especially after you worked on it for a long time. If like me, you focus…
~ ~ Thomas Hudson studio journal ~ ~
Many artists have trouble determining when a painting is finished. It can be excruciatingly painful to let a painting go, especially after you worked on it for a long time. If like me, you focus…
I used my homemade drying oil in recent sessions with Down on Prospect Avenue. I substitute the oil for black oil in my medium recipe. Large paintings (Down on Prospect Avenue is 44" x 60")…
The crude container that I made with a lead sheet contains 16 oz. of cold-pressed walnut oil. I'll leave the oil in the container for several months before straining it into a jar, like the…
The drawing on the easel in the following photo is lead on pastel paper. I'd intended to highlight it with white but decided it was OK as it is. The painting on the easel, Woman…
The thing about this Fabriano drawing pad is I can work-up drawings with pencil or pen--my two favorite materials--without mess or fuss. The really good paper I save for charcoal or pastel, but this paper…
I got Along 4th Street on the easel yesterday and had some good sessions. I used walnut oil instead of linseed. I find myself reaching for the walnut oil instead of the linseed more often.…
The Woman in Red Pants is not over-large so I finished the underpainting, shown here, in 2 sessions. The Woman in Red Pants is 36" x 48." We live in a great time when information…
The morning session with Agamemnon and Orestes was slow and easy. With a large painting like this (44" x 60"), I use hog bristle brushes for most of the work. Today I used 5s and…
Copy Right Text | Design & develop by AmpleThemes