Another canvas ready
I applied the second and last oil ground to this new 44″ x 60″ canvas. I made the tone by adding a little burnt umber and burnt sienna to the Williamsburg lead-oil ground. I applied the ground with a scrapper as usual. After letting it cure for a few weeks, I’ll prepare a drawing for
Smooth is best
Rereading what I wrote about preparing a canvas, I realized that I didn’t emphasize the main goal enough. Yes, it’s important to protect the canvas, but the real goal is to make a great surface. The best surface is smooth. How smooth? If you’ve done lithography, then you know how wonderful litho stones are for
Grounded
I don’t mind being grounded by the pandemic. After all, I already spend most of my time isolated in my studio working. But I’m not alone; I’m in constant contact with the world–the current one the past one. It’s not work either. Working on art nourishes and refreshes me. I do miss my weekly trip
Studio journal 3/19/17
I recently bought some of Rublev’s Lead Oil Ground. I’ve had mixed results with Rublev products. Their oil paint is excellent. Their burnt sienna is top shelf. However, much of their stuff is less than wonderful. They purport to be experts but I don’t see any evidence for that claim. They sell a lot of thick,
In the studio 3/22/15
I don’t think I’ve shown this painting–Sunday Parade–before. According to my studio journal, today’s painting session is the fifth. It was too raw. Still is, really. The underpainting isn’t finished; but it’s far enough along that you can get a sense of where it’s going. This design is put together from several photos of Manhattan.