In the studio 8/2/15
Three Women is coming along slowly. Previously, I titled it VW Bug and later Three Young Women. Now it’s just Three Women–original, I know. For the past week I’ve been absorbed by technical issues. Not mediums, but supports and grounds. I spend a lot of time getting paintings to the finishing stage. I’m looking for
In the studio 7/26/15
Today’s session was the 4th for Man and a Woman in a Room. I don’t know how many more sessions it will need–not a clue. Paintings take on their own personality and this one is adamant bout the direction it wants to go.
In the studio 7/19/15
I’ve been preparing canvases (stretching, applying gesso and toned grounds) and doing a lot of drawing. I thought Graduation Day was ready for the end game several times but I was wrong. It’s close now. Some things that bothered me have been worked out (no, I won’t tell). Tomorrow, it’s back to drawing.
In the studio 7/2/15
Woman in Purple Boots is 40″ x 50″. No part of the painting is finished; I’m in my second passage through it. This painting is has gone smoothly –so far. The scale is interesting. It’s not so big that just covering it with paint is a chore. But it’s big enough that eight figures, even
In the studio 6/21/15
Unfortunately, the overcast skies resulted in a dark photograph of Sunday Parade. The studio’s bank of natural-light lamps washes out the colors in photographs, so I have to make due with this dark photo or none at all. The painting has a long way to go but parts are done; such as the figure on the far
In the studio 6/14/15
I had two more painting sessions on Washington Square. I finally got the pigeons in there (can you see all 7 of them*?). Washington Square has a hole in the middle which is supposedly a no-no. Cleveland has a painting by Poussin with the same empty center, and it’s very effective. It took me awhile to
In the studio 6/7/15
Grandfather was turned against the wall for a long time; I just didn’t like the direction it was going. Since then I’ve completely altered the background by adding the landscape through the window, and the green curtains. I wanted to make a painting that didn’t look ‘modern.’ I used to think about categories of subject
In the studio 5/17/15
Yesterday’s session with Taking Note was my 6th, according to my trusty studio journal. It’s coming along–so far so good. With such a simple design, the drawing has to carry the load. Well, that’s true for all my paintings, but in the more complicated ones there are other things that can make or break them, such