Turpentine diaries 11/12/17
Today's session with Booth at the Fair is my 5th. By contrast, yesterday's sessions with On the Square was the 20th and final one. I have a long way to go with this painting. It's…
~ ~ Thomas Hudson studio journal ~ ~
Today's session with Booth at the Fair is my 5th. By contrast, yesterday's sessions with On the Square was the 20th and final one. I have a long way to go with this painting. It's…
To some, my studio might look like a jumbled mess, but to me, it looks ordered and purposeful. I have three easels. I use the third one, the one not shown, for drawings. I expanded my…
I spent another morning working on several versions of the same subject. The top version is charcoal and chalk on toned ground. The paper is extremely thick. I don't remember the supplier (I bought it…
Here are two more treatments of the same subject. I've written about this before. This time, I made two drawings. The top drawing is charcoal on toned paper heightened with chalk. The bottom drawing is pen…
Just now, I'm interested in multiple treatments of the same subject. I make drawings (cartoons) and transfer them to multiple surfaces. So far, I've limited the process to two instances per drawing. When I do…
The unfinished painting The Press is 40" x 50." I've used RGH's walnut-ground flake white for a couple of weeks and I like it more and more. It keeps its body even when thinned to…
RGH has the best deal for the all-important flake white. Their cremnitz white extra fine is $46.25 for a 250 ml jar. By comparison, a 237 ml jar of Williamsburg's flake white is $57. Old Holland,…
The Delegate is 36" x 48". It still has a way to go. It's another painting with an annoying surface. I've written a lot recently about painting surfaces, I know. I bought a large roll…
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