In praise of cerulean blue
Cerulean blues is an extremely important color. Besides being a core blue (it should be on every palette), it forms complementary tones with most orange-brown colors, such as burnt sienna (another…
Natural Pigments’ French Burnt Sienna
I use burnt sienna as the basis of my flesh tones, so I use a lot of burnt sienna. My favorite brand for this color is Natural Pigments’ French Burnt…
In the studio 10/18/15
It took awhile for Parade to get going. The ground is nonabsorbent and I fought it during the first several sessions. I still don’t like it but it’s starting to…
In the studio 4/24/16
My work today on Spring was all blues: ultramarine blue-violet on the blouses of the outer-most figures; cerulean blue and black on the pants of the middle woman. Magnesium blue and Veronese…
In the studio 10/9/16
I worked on several paintings over the past few days. I also applied the ground to the canvas on the right-side of the photo. The tone is burnt sienna, raw…
New painting, underpainting
Today, I finished the underpainting for the new painting Girl in the Lavender Dress. I based the design on several photos taken around Cleveland’s Playhouse Square, so the painting is…
Multiple treatments of the same subject (yet again)
I spent another morning working on several versions of the same subject. The top version is charcoal and chalk on toned ground. The paper is extremely thick. I don’t remember…
Homemade-drying walnut oil
I wrote before about the drying linseed oil I prepared. I decided to continue my investigations by preparing some drying walnut oil, the results of which you can see in…