Studio journal 3/13/17
Due to changing my ISP, I am late posting this journal entry. I finished the underpainting for Down on Prospect Avenue and started some over-painting. The painting has a long…
Due to changing my ISP, I am late posting this journal entry. I finished the underpainting for Down on Prospect Avenue and started some over-painting. The painting has a long…
Upsidedown. It’s useful to look at your paintings in mirrors or upsidedown, as I’ve down here. The old rule-of-thumb maintains that a painting should be balanced when looked at normally and…
What have I been doing? Adding details while hiding others; strengthening areas, and softening others--you know, the usual.
I am painting three new canvases that fit the bigly category. Big for me, is 4′ x 5′ or thereabouts. In the preceding weeks, I was drawing bigly too–working on…
Next to lead white, raw umber is my most-used color. Because it’s fast drying, it’s ideal for every use case, whether I’m making a quick sketch or preparing the underpainting…
Here’s some recent work. This unfinished painting–‘Man and Woman in a Room’-has already undergone several changes. Originally you could see the open door on the left. Then I took out…
I am extremely happy with my new easel. It’s wider than my old workhorse easel and the mast expands higher, which means it can accommodate much larger paintings. For as…
I’ve bought brushes marketed as ‘Russian-made sables’ at different times and from different vendors. The actual manufacturer is obscure. Their only identifying marking is the distinctive logo, which you can…