In the Studio 3/10/2013
With the temperatures near 70, it felt like Spring. What a difference a week makes! Keith got his baseball stuff out and John and I went to the marina to…
With the temperatures near 70, it felt like Spring. What a difference a week makes! Keith got his baseball stuff out and John and I went to the marina to…
Painting mediums are a never-ending topic for discussion and debate among artists. Mediums profoundly affect how oil paint handles, and many preparations are complicated or dangerous, filled with ancient lore…
As this photograph demonstrates, I need more studio space. Not shown are the larger–5′ x 6′– paintings that are precariously stacked on one another. My separate storage area is overflowing…
I tested my new 35mm F1.8 prime lens today with my Nikon z7 camera. This prime lens joins two others in my collection–50mm F1.8, and 85mm F1.8. The latter two…
The drawing is transferred to the canvas for the new painting I’m calling The Entertainer. The Entertainer is 40″ x 50″. I applied the warm ground with a rag. I…
I got some painting time this Easter morning with Washington Square. The under-painting is finished except for the figures behind and to the right of the white-shirted foreground figure. I…
I spend a lot of time preparing canvases–stretching, priming, and grounding. The process works well for me but it’s time-consuming. I would gladly buy commercially-prepared canvas but my experience with…
The eye loves complementary neutrals. The eye will accept the ‘truth’ of a well placed neutral faster than it will a piece of carefully crafted modeling. Nature abounds with complementary…