To some, my studio might look like a jumbled mess, but to me, it looks ordered and purposeful. I have three easels. I use the third one, the one not shown, for drawings. I expanded my palette from my habitual dozen colors to what you see now on my home-made palette. Just because I no longer count…
Paintings, Shop Talk, Studio Corner, Turpentine diaries
Turpentine diaries 10/21/17
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•I finished Spring during my morning session. I added a tiny little bit of sun-thickened oil to my usual medium. A small amount of this oil dramatically affects the paint. Sun-thickened oil, unlike stand oil (which I don’t like), maintains good handling qualities even when the paint is thinned to a gouache-like consistency. Before starting, I applied…
Drawings, materials, Paintings, Shop Talk
Multiple treatments of the same subject (yet again)
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•I spent another morning working on several versions of the same subject. The top version is charcoal and chalk on toned ground. The paper is extremely thick. I don’t remember the supplier (I bought it some time ago) and I no longer like the super-rough surface. The bottom version is oil on canvas. I used to…
Drawings, materials, Shop Talk, Uncategorized
Multiple treatments of the same subject (again)
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•Here are two more treatments of the same subject. I’ve written about this before. This time, I made two drawings. The top drawing is charcoal on toned paper heightened with chalk. The bottom drawing is pen and ink on bristol board with watercolor washes. The subject, although obviously the same in both instances, feels different, which…
Drawings, materials, Paintings, Shop Talk, Uncategorized
Multiple treatments of the same subject
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•Just now, I’m interested in multiple treatments of the same subject. I make drawings (cartoons) and transfer them to multiple surfaces. So far, I’ve limited the process to two instances per drawing. When I do an ambitious drawing perhaps I will expand to three or more treatments. This photo shows two versions of a small winter…
aesthetics, Paintings, Studio Corner, Turpentine diaries, Uncategorized
Turpentine diaries 10/1/2017
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•Bio, Paintings
Dream
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•materials, Paintings, Studio Corner, Turpentine diaries
Turpentine diaries 9/24/17
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•Bio, Drawings, Shop Talk, Vermilion, OH
Some watercolors
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•Odds and ends. Today, I finished the landscape (somewhere around Monterey) and worked on the figure with the striped shirt (my wife Kathleen). It still needs work. Both are watercolors. The pen and ink drawing of the figure behind the landscape is on bristle board. My watercolor kit. The bottom drawer contains watercolor tubes. I…
Paintings, Shop Talk, Studio Corner, Turpentine diaries
Turpentine diaries 9/16/17
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•Cleveland, Drawings, Paintings, Shop Talk, Studio Corner, Turpentine diaries, Uncategorized
Turpentine diaries 9/9/17
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•anecdotes, Bio, Paintings, Uncategorized
Two paintings today
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•I used to think speed is important in art making. Speed relates to spontaneity–some say–and spontaneity guarantees authenticity, if not creativity. While spontaneity is important in art making, it’s not fundamental. Even if you insist that spontaneity is essential, you can’t make the same claim for speed. Speed is simply irrelevant. Another important idea for…
Bio, Paintings, Shop Talk, Studio Corner, Turpentine diaries
Turpentine diaries 9/4/17
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•Bio, Paintings, Shop Talk, Studio Corner, Turpentine diaries
Turpentine diaries 8/27/17
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•The finished painting on the floor in this photo, Dare, is another painting of my son Keith standing in front of an earlier painting with him as the subject. Dare is 24″ x 30.” The large, unfinished painting on the easel, Picnic, is the last painting from my batch of poor-surface paintings. And it’s the…
Drawings, Main Street, Paintings
Turpentine diaries 8/20/17
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•I finished drawing the cartoon for this painting yesterday and spent the morning transferring it to the canvas. You can see the transferred cartoon in this photo. I spent the remainder of yesterday and all of today working on the new painting. In this photo, the gray ground is still visible throughout the painting. Booth at…