In the studio 10/23/16
I worked a little while on this small painting, which is part of the Playhouse Square series. I also spent time working on a large drawing. It’s been awhile since…
I worked a little while on this small painting, which is part of the Playhouse Square series. I also spent time working on a large drawing. It’s been awhile since…
Due to changing my ISP, I am late posting this journal entry. I finished the underpainting for Down on Prospect Avenue and started some over-painting. The painting has a long…
Upsidedown. It’s useful to look at your paintings in mirrors or upsidedown, as I’ve down here. The old rule-of-thumb maintains that a painting should be balanced when looked at normally and…
What have I been doing? Adding details while hiding others; strengthening areas, and softening others--you know, the usual.
I am painting three new canvases that fit the bigly category. Big for me, is 4′ x 5′ or thereabouts. In the preceding weeks, I was drawing bigly too–working on…
Next to lead white, raw umber is my most-used color. Because it’s fast drying, it’s ideal for every use case, whether I’m making a quick sketch or preparing the underpainting…
Here’s some recent work. This unfinished painting–‘Man and Woman in a Room’-has already undergone several changes. Originally you could see the open door on the left. Then I took out…
I am extremely happy with my new easel. It’s wider than my old workhorse easel and the mast expands higher, which means it can accommodate much larger paintings. For as…