Studio journal 1/22/17
The cheery sunlight made me pause as I entered the studio and take this photo. The easel has the painting Break on it. Break is 40″ x 50.” Studio corner with some current work drying. Break is the painting in the lower-center. Break is part of the Playhouse Square series.
Studio journal 1/18/16
Sub Rosa, the unfinished painting on the easel, is moving along. The underpainting is nearly done. The white-seeming ground visible throughout the painting is actually a middle-ish gray tone. Compare it with your eyes to the dab of white in the middle of the palette. Sub Rosa is based on photos taken during last year’s Festival
Review of Lukas 1862 oils
I wrote before about some of my experiences with Lukas 1862 oils. I wanted some more time with the paints before completing my review. With these recent sessions, I’ve had my fill of Lukas oils. Typical for me, I set up the palette on Friday morning (first photo) and used it over the next two
Pastels on canvas
These two recent pastel drawings are on canvas. Primed canvas is an unusual support for pastels or charcoal because it’s not absorbent enough. Pastel chalk falls off too easily. I originally intended to use these canvases for paintings. I had actually started painting on the larger of the two (the gray area in the lower left),
Studio journal 1/14/17
I didn’t plan it, but yesterday I worked on two paintings of my son John. I finished the larger painting on the easel, John Hudson and His Father. It’s based on a photo of John when he was a wee lad. The smaller painting, John in a White Shirt, is based on a recent photo. After taking
Studio journal 1/8/17
Here’s the studio corner with recently-worked paintings drying. The bottom-right painting, Sub Rosa, is still in the starting stages. You can see the gray-tone ground throughout.
Lukas 1862 oils test drive
I used some of the Lukas 1862 oils I wrote about before. I’m still not ready to add the brand to my oil paint reference because I need more testing. In their marketing material, Lukas emphasizes the ‘smooth, buttery’ quality of their paint. Virtuality all low-end brands make this claim. I can attest that