Turpentine diaries 9/24/17
The unfinished painting The Press is 40" x 50." I've used RGH's walnut-ground flake white for a couple of weeks and I like it more and more. It keeps its body even when thinned to…
Year: 2017
Some watercolors
Odds and ends. Today, I finished the landscape (somewhere around Monterey) and worked on the figure with the striped shirt (my wife Kathleen). It still needs work. Both are watercolors. The pen and ink drawing…
Turpentine diaries 9/16/17
Along 4th Street is 40" x 50." The surface is very good and the painting is moving well. When the surface is solid, I do less re-painting and things go faster. I've written about how…
Turpentine diaries 9/9/17
The studio is busy just now. The drawing is a study for a large painting I'm preparing to launch. The figures, except for the right-hand two, are prominent in the new painting's design. I plan…
Two paintings today
I used to think speed is important in art making. Speed relates to spontaneity--some say--and spontaneity guarantees authenticity, if not creativity. While spontaneity is important in art making, it's not fundamental. Even if you insist…
Turpentine diaries 9/4/17
I started working on the painting on the easel, Along 4th Street, yesterday. I've had two long sessions on it, but it still needs a lot of work. I'm careful about cutting off figures…
Turpentine diaries 8/27/17
The finished painting on the floor in this photo, Dare, is another painting of my son Keith standing in front of an earlier painting with him as the subject. Dare is 24" x 30." The…
Turpentine diaries 8/20/17
I finished drawing the cartoon for this painting yesterday and spent the morning transferring it to the canvas. You can see the transferred cartoon in this photo. I spent the remainder of yesterday and all of…