
In the Studio 10/6/2013
Here is some of this morning’s work, a painting with the uninspired title ‘Man and Woman in a Room.’ If you’ve a better title let me know.

RIP Wayne Kaniper
My father-in-law, Wayne Kaniper, died Saturday in Brigantine, New Jersey after a battle with cancer. He was 81. Wayne was a retired teacher and school superintendent. He was in the habit of sending me newspaper clippings that he thought would be of interest. The topics reflected his wide-ranging interests: history, business, and civics. He was
Museum Etiquette
For me, standing in front of a painting is like listening to a concert or attending a play. I try to meet the artist on his terms and I open myself to the work to discover its secrets. Most of all, I enjoy looking at paintings; it gives me intense pleasure. So, if you see

Review: Augusto Bordelois at CSU
The Cuban-born, Cleveland-based artist Augusto Bordelois is showing some striking works at Cleveland State U. The exhibition, titled “Based on a True Story,” is filled with large-format paintings full of bold colors and simple shapes that burst their frames and overflow the shallow space, as in the accompanying photo. The designs are strong although simple;
In the Studio 9/22/2013
More recent work. The church is from a drawing I made in Colorado. I am using a mastic-based medium in this painting. In the past I used a jelly-type medium (Maroger), but stopped long ago. This medium isn’t jelly-like in the least even though it uses mastic. It’s an OK medium but not nearly as
Update to Oil Paint Brands
I continue to update the survey of oil paint brands. I have been using a lot of paint from the small producer Blue Ridge Colors. I am constantly on the lookout for reliable day-to-day paints, that is, paints that are good quality and reasonably priced. In this pursuit, I’ve recently used Rembrandt, Winsor Newton, and
In the Studio 9/16/2013
Here is a photo of paintings I’ve worked over the last several days. None are finished, although the bottom-most is nearest to being done. Read moreIn the Studio Oct. 14 2012I’ve spent a lot of time on the drawings for 4 large paintings (for me–40″ x 50″), but I won’t show them until the drawings
Study: Making ‘The Call’ Part 4
OK, so where are we now? The under-painting is done and the finishing work is started. To recap, my process is divided into several stages: Design/Drawing: I draw the deign with pencil then fix it with ink. The drawing is a plan: I work through every area and identify any issues. I can change the
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