In the kitchen
For the most part, I've stopped showing the early stages of my paintings. One thing that I've learned after running this site for 8 years is that readers assume that I only post finished work--the…
~ ~ Thomas Hudson studio journal ~ ~
For the most part, I've stopped showing the early stages of my paintings. One thing that I've learned after running this site for 8 years is that readers assume that I only post finished work--the…
I pick up last episode's discussion about Clement Greenberg and the avant-garde and kitsch, and talk about academic art. Artists mentioned: Gerome, David, Bouguereau, Ingres, and Thomas Couture.
Bah! I am grinding my way (trying to anyway) through a volume of Clement Greenberg's essays. In case you haven't heard of him, Greenberg was once considered the preeminent writer on post-war American art. Greenberg's…
So you've embraced the two related studio aphorisms I discussed in this recent post: fat over lean, and make the lights thick but keep the darks thin. In practical terms what does this mean? Oil…
Art is filled with aphorisms. Fat over lean, for instance, is a famous adage. The meaning for this old saw that is the most straightforward is to paint thickly-applied paint over thinly-applied paint. Why this…
I finished Bench by the Lake in a short session yesterday. I hadn't looked at the painting for months before yesterday's session. It's not unusual for a painting to be in-hand for a long time,…
For today's session with Lunch Alone, in addition to my usual medium, I used 'flavored' turpentine for my solvent: turpentine with some homemade drying oil, plus drops of Courtrai siccative. Readers of my blog know…
The Cleveland Museums of Art's Eyewitness Views: Making History in Eighteenth-Century Europe is the best show I've seen at the museum since I started my near-weekly visits six years ago. As good as the show…
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